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A toast

Election 2012 sketch by Chandler O'Leary

“It doesn’t matter whether you’re black or white or Hispanic or Asian or Native American or young or old or rich or poor, abled, disabled, gay or straight. You can make it here in America if you’re willing to try.”

— President Obama, 6 November 2012

There’s a lot of work ahead, and not every step we took today was in the right direction. But I want to thank everyone who voted for women’s rights, for marriage equality, for four more years. Tonight I’m raising my glass to everyone who voted to move us Forward.

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Love Nest

"Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

If you happen to live in Washington state, you can’t help but notice that love is in the air. It’s not quite what you think, though—rather than turtledoves and cupids flying around, the breeze is carrying ballot petitions and angry voices.

Though Washington became the seventh U.S. state to legalize same-sex marriage earlier this year, opponents forced a voter referendum to decide the issue this November. So while we’d rather just toast our friends and their families, we’ve got to put up our dukes first.

Already tempers are running high, and everyone seems to be up in arms—it’s total anarchy out there. So we thought, who better to talk to than an anarchist?

The most vital right is the right to love and be loved.  —Emma Goldman

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

Huh. Pretty down-to-earth for an anarchist, actually. Especially if you consider some of the other things Emma’s said in the past.

I think that if we could somehow put all the ladies we’ve featured previously into a room together, they might end up killing each other (good thing they’re already dead, eh?). They all had such different ideologies and passions that I can’t imagine all fourteen of them agreeing on any one thing. But I’m fairly sure they’d be united over Emma—in thinking she was a complete weirdo, that is. (Sorry, Emma.)

Yet for all her outlandish creeds and fierce opinions, her thoughts on families, love and motherhood cut straight to the heart of the matter. And that’s what drew us to her.

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

To pay homage to Emma’s folksy words, we turned to folk art for inspiration. (Get out your grandma’s Pyrex and raise a glass!) Love Nest is dominated by a lively brood of nesting matryoshka dolls. Each individual is different, but together they complete the picture of a nurtured, multicolor family. Roosters, hens and chicks complete the flock waiting for the next generation to hatch as Emma’s words stitch the family together.

To support the diversity nested within every family, we’ll be donating a portion of the proceeds to both the Rainbow Center and Oasis Youth Center, right here in T-town. The Rainbow Center is dedicated to eliminating discrimination based on sexual orientation and gender. Oasis is a drop-in support center dedicated to the needs of GLBTQ youth ages 14-24.

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

Speaking of chickens, there’s another tribute hiding in here—a nod to the very first matryoshka doll ever made.

This might well be the most difficult piece we’ve tackled yet. Beyond the challenges of marrying (no pun intended) the views of a 19th-century fringe activist to modern-day social issues, we also had some seriously precarious business on the technical side. Those of you who are into the nitty gritty details of letterpress may know that each print color requires a separate plate, a separate pass on press. We’ve got four colors in the final result, but because of the tricky magic of translucent inks, there’s actually only three plates/three passes here. The red and teal mix to make brown—which means that the registration (alignment) of each plate had to match up just right.

I was expecting Jessica to throttle me when I showed her the color separations, but as usual, she barely even batted an eye: “Yeah, we can do that.”

Or maybe she just knows me so well now that she’s expecting the crazy.

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Love Nest: No. 15 in the Dead Feminists series
Edition size: 126
Poster size: 10 x 18 inches

Printed on an antique Vandercook Universal One press, on archival, 100% rag (cotton) paper. Each piece is numbered and signed by both artists.

Colophon reads:
Emma Goldman (1869 – 1940) was born in Kovno, part of the Russian Empire (now Lithuania). She moved to New York in 1885 to live with relatives, supporting herself with factory work. In the following year, news of the Chicago Haymarket riot changed Goldman’s life. In honor of the riot victims and the labor movement, she determined to “dedicate myself to the memory of my martyred comrades, to make their cause my own.” She joined Alexander Berkman—another Russian immigrant—in spreading her vision of an ideal society, based on the anarchist principle of absolute freedom. Goldman founded the political and literary journal “Mother Earth,” and toured the country speaking about anarchism, birth control and economic freedom for women. She was arrested numerous times over her unconventional opinions, accused of disseminating illegal information and inciting to riot.

At a time when even her fellow anarchists questioned her support of homosexuality, Goldman spoke out: “It is a tragedy, I feel, that people of different sexual type are caught in a world which shows so little understanding … and is so crassly indifferent to the various gradations and variations of gender.” She openly opposed U.S. entry into WWI, was jailed once more for obstruction of the draft, and finally deported back to Russia under the 1918 Alien Act. She spent the rest of her life in exile, supporting anarchist causes abroad. After her death, Goldman’s body was repatriated and buried in Chicago—near the Haymarket anarchists that had so inspired her.

Illustrated by Chandler O’Leary and printed by Jessica Spring, who with Goldman “demand freedom for both sexes, freedom of action, freedom in love and freedom in motherhood.”

UPDATE: poster is sold out. Reproduction postcards available in the Dead Feminists shop!

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring


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Prop Cake

"Prop Cake" letterpress broadside by Chandler O'Leary and Jessica Spring

Jessica Spring and I have been having a high ol’ time with our Dead Feminists series thus far, celebrating positive changes happening around the country with the first two prints we created. At the same time, we were shocked and dismayed to learn that Proposition 8 had passed in California. Now, I know that people are extremely divided on this issue, so in the interest of respecting others I’ll try not to open any worm-cans here (this is an art blog, not a soap box). But we wanted to express our thoughts on the matter, so Prop Cake was born. The quote we chose made the issue seem like…well, a piece of cake:

There is nothing complicated about ordinary equality.  —Alice Paul

The initial idea for this piece came almost immediately; Jessica looked over at me on a drive home from Seattle one day and said, “How about a big, pink wedding cake?” I grinned from ear to ear, and started sketching as soon as I got home. The design didn’t come together so easily, however. Everything I came up with looked more like an ad for Modern Bride than a political poster. Frustrated, I pushed my sketches aside and took a few days off to think.

And then I went to San Francisco.

San Francisco photos by Chandler O'Leary

It was my first trip there, and my first thought as I passed through the residential neighborhoods, with rows and rows of candy-colored stucco houses, was “Wow, these things look like big frosted cakes!” And the lightbulb turned on, at last. I spent three days walking, driving, and riding around the neighborhoods, camera and sketchbook in hand. I made pages and pages of notes on architectural detailing.

"Prop Cake" process sketches by Chandler O'Leary

When I arrived home, I got right to work. This time, finally, it all came together.

"Prop Cake" hand-lettered process drawing by Chandler O'Leary

Alice was right—it really was a piece of cake.

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Prop Cake: No. 3 in the Dead Feminists series
Edition size: 108
Poster size: 10 x 18 inches

Printed on an antique Vandercook Universal One press, on archival, 100% rag (cotton) paper. Each piece is numbered and signed by both artists.

Colophon reads:
Alice Stokes Paul (1885 – 1977) continued the work of the suffragists, and helped form the National Woman’s Party to demand equal rights. The NWP engaged in militant demonstrations and the first picketing of the White House; these “Silent Sentinels” were mobbed and imprisoned, then force-fed while attempting a hunger strike. Public and media support for their cause grew and by 1920, women secured the vote. Alice Paul continued to work on their behalf, writing the original Equal Rights Amendment in 1923.

UPDATE: poster is sold out. Reproduction postcards available in the Dead Feminists shop!