Blog
April 21st, 2013
It’s that time of year again: the trees are blooming outside, and inside we’re playing with knives. The ninth (!) annual Tacoma Wayzgoose is one week from today—and if we’re really lucky, Jessica and I might just finish carving our design by then. As usual, we’ll reveal the whole design that day, but until then, this little peek might look familiar…
If you’re new to my tiny u-bend of the Intertubes, you might ask: what the heck is a Wayzgoose? It’s a festival celebrating the art of printing, a tradition that goes back hundreds of years. Here in T-town, our party mobile is a steamroller—yes, ma’am—and we churn out giant-sized linocuts in the street to mark the occasion. If you’re local, come on by and get ink on your jeans:
9th Annual Tacoma Wayzgoose
Sunday, April 28, 2013
11 am to 4 pm, Free!
King’s Books
218 St. Helens Avenue, Tacoma, WA
In the meantime, you can whet your appetite with a stroll down Amnesia Lane—take a look at the ghosts of Wayzgeese past:
• 2009 (Tacoma)
• 2010 (Tacoma)
• 2011 (Tacoma)
• 2011 (San Francisco)
• 2012 (Tacoma)
See you next week, rain or shine!
April 15th, 2013
Sending healing thoughts to one of my home cities, one of my favorite cities, tonight. Be well, people of Boston. Stay strong.
April 3rd, 2013
These have been a long time in the making, and I’m practically chirping with glee to be able to share them with you! I’ve partnered with Seattle’s very own Madison Park Greetings to add some of my birds to their line of iPop Clicks magnets!
There are three different sets available, and each set contains four different birds—I decided to do a motley mix of my favorites, rather than segregate them by “type” (like a set of songbirds, a set of ducks, etc.)
These little guys are about one inch in diameter, and super well-made of sturdy metal and glass. And the best part is that they’re ridiculously strong—the “click” sound they make when you stick them to your fridge is where the name of the product comes from.
I’ve got all three sets up in the shop—or if you’re a retailer, you can order them wholesale directly from iPop!
Now if you’ll excuse me, I’m going to be tacking a million little pieces of paper to my refrigerator…
March 26th, 2013
Many thanks to everyone who helped make Dandelion Wishes hit the ground running last weekend—and for everyone who made a wish for the wishing tree!
March 21st, 2013
Well, I can finally let you in on the secret, because “coming soon” is about to be switched to “now open.” My friend Susan has spent years building her children’s apparel business, Dandelion Wishes, from idea to brick-and-mortar store—and I’m the lucky gal she asked to help her develop the look and brand of her shop.
Susan is putting the finishing touches on the place, and making sure everything is pitch-perfect for her grand opening this weekend—
while I’m piecing together (literally!) the final visual details.
(I’ll reveal more about that on the blog at a later date; or if you’re local, come to the grand opening and see for yourself!)
Dandelion Wishes isn’t your average kids’ store; this is something really special. Susan has curated a beautiful collection of clothing, accessories and gifts that paints a picture of what she believes in (and so do I): Support independent artisans. Buy local and domestic whenever possible. Choose natural fibers over synthetic ones. Offer the highest quality available. Bring these ideals into affordable balance and you’ll bring good design within reach.
This project was something special, too. I’ve done lots of identity and branding work for clients, but I’ve never had this much free reign before, to help develop the entire conceptual basis for a business. It was so much fun to dive in and really see what I could do.
Since Susan’s shop is so invested in this story, I wanted to create a story out of the shop. Together we invented a world of characters and narratives that make stepping into the shop feel like stepping into a children’s book. Each character has a story and a secret wish, and a personality that fits the different brand stories of the clothing companies Susan carries.
You’ve already met Ruby and her imaginary friend at the start of this post.
And here’s the rest of our quintet. Once we had our full cast of characters, it made building the shop’s collection of clothing much easier. All of a sudden, Susan was piecing together the wardrobes of actual people with personalities and tastes and preferences—rather than just an inventory list in her head.
I loved weaving the stories behind each character—
—and getting to mix actual clothing samples with whatever else I felt like dreaming up.
As the seasons change—
—and so do the kids’ outfits—
we’ll be creating new stories and scenes to go with them. Keep an eye on the shop’s website to watch the tale unfold.
In the meantime, I already find myself thinking of these kids as real people that I know—and wondering what they’d think of each idea I sketch out for the future.
So help Susan make a splash with Dandelion Wishes—if you’re in the Tacoma area, stop by the shop this weekend. And look for an online shop to appear soon.
For now, I’m going to ask Frank what his summer plans are.
March 18th, 2013
It’s hard to believe it’s been two years since the last one, but a few weeks ago I was back for my second showing at the Codex International Bookfair. The four-day fair was at a new venue this year—a space so gorgeous just I had to break out the ol’ sketchbook.
This year (and hopefully every year from here on out) we were hosted by the Craneway Pavilion in Richmond, CA. Now a part of Rosie the Riveter National Historic Park (bonus points for being part of something else I love), the former Ford plant was used as a major military plant during World War II.
We had completely outgrown the old Codex stomping grounds in Berkeley—so while none of us knew what to expect of the new space, we were just hoping it would be big enough to fit a couple hundred artists under one roof.
We got way more than we bargained for—the space is absolutely cavernous. The bookfair was every bit as overwhelming as last time (just try looking at a few thousand pieces of art in four days!), but the Craneway gave the perfect breathing room to do the artwork justice. With its huge banks of windows and three-story ceiling, it almost felt like I was spending each day outdoors. I hated leaving at the end of each day.
And besides—this was the view from my table. Is there anything better than showing your work on one of the best chunks of real estate in the Bay Area? (Though I have to admit, every morning that one—admittedly awesome—Journey song would pop into my head, just like it always does when I’m in the area.*)
Occasionally I had to remind myself that I wasn’t just there to stare out the window, or bask in the sunshine on the dock outside, or scribble in my sketchbook. But I’m grateful to report that I had a nearly constant stream of visitors to my table to bring me back to reality when I needed it.
Huge props to all the folks who made the commute up to Richmond from San Francisco and Oakland (including Sarah and M-A for their help manning the table!)—judging by the comments I heard all week, you liked the new space as much as I did. And many thanks to all the return visitors from two years ago who came back to say hello (special shout-out to Adam D.!) or leave me with their own goodies. It felt great to be welcomed back.
One last thing: major thanks to Kate Farnady, who created this off-the-cuff stop-motion video of my Local Conditions book, right in the middle of our conversation about it. You made my day.
Codex, I’ll see you in two years—with any luck, right there on the waterfront again.
* Okay, you are not going to believe this, but as I wrote that sentence, that song came up on shuffle in my iTunes! Cross my heart. I’m officially freaked out now…
February 28th, 2013
This has not been an easy post to write—and yet in a way it’s been writing itself over and over again, for years now. To be honest, Jessica and I designed this broadside months ago, and planned to release it shortly after last year’s theater shooting in Aurora, CO. Other projects got in the way, and then the 2012 election persuaded us to table the piece for the time being.
We should have known: until there’s serious change in our society, this subject will always be hatefully relevant.
So here we are again, on the heels of yet another rash of terrible violence. But this time feels different—not only because of the sheer horror of the Newtown tragedy, but because at last, our country is having the conversation it needs to have.
At the center of the debate is the precarious balance of right and responsibility—and here’s where I need to keep from shooting my mouth off. I’ve written and deleted a hundred sentences about Jessica’s and my personal thoughts on the subject—but I have a feeling you can already guess what they are. And we also recognize that our beliefs represent just one side of our divided culture. So the thought of pontificating just wearies and saddens us; we’d much rather focus on how we might move forward, together.
For us, that meant starting with an attempt to comprehend the other side of the debate. So in hoping to understand the love of guns many in our country share, we looked to legendary sharpshooter Annie Oakley, whose words pierce the heart of the matter:
Aim at a high mark, work for the future.
This piece is a stark, steely contrast to the bright colors and detailed embellishments of the rest of the series. Annie stands her ground beside a blazing metallic bullseye, representing the golden target of sanity amid the scatter-shot opinions and half-cocked sniping of those on the extremist fringes. And let me tell you: there’s real gold in that ink. Jessica mixes her own formula—maybe it’ll shine all the brighter, and help steady our collective aim.
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Gun Shy: No. 17 in the Dead Feminists series
Edition size: 151
Poster size: 10 x 18 inches
Printed on an antique Vandercook Universal One press, on archival, 100% rag (cotton) paper. Each piece is numbered and signed by both artists.
The edition number we choose for each print in our series is always significant in some way—whether we call attention to it or not. In the case of Gun Shy, we’ve created an edition of 151 prints to represent each person injured or killed in a shooting rampage in 2012. In light of that sobering number, we’ve chosen to donate a portion of our proceeds to Demand A Plan. A campaign of Mayors Against Illegal Guns, Demand a Plan is a national, bipartisan coalition working to make America’s communities safer by keeping illegal guns out of dangerous hands.
Colophon reads:
Annie Oakley (1860 – 1926) was born Phoebe Ann Mosey (or Moses) near Greenville, Ohio. Her Quaker parents raised seven children on their farm until Annie’s father was caught in a blizzard and succumbed to pneumonia. By age ten, Annie was sent to the poor farm, then to live with an abusive family for several years. She escaped back to her mother’s home, taught herself to shoot a rifle, and quickly paid off their mortgage by selling game. In 1875 Annie defeated well-known marksman Frank Butler in a shooting contest — and married him shortly afterward. Annie became Butler’s assistant in his sharp shooting show, but as audiences clearly preferred Annie, the two soon switched roles. Annie was a curiosity, dressed in a homemade costume that modestly covered her petite frame but also allowed her to shoot with athletic grace. The couple joined Buffalo Bill Cody’s Wild West show, where Annie performed for 17 years, traveling to New York, Paris and London. Upon seeing her shoot the wick off a burning candle, the famous Chief Sitting Bull adopted Annie, bestowing the nickname “Watanya Cicilla” (Little Sure-Shot). In 1894 Thomas Edison captured her performance on film at his studio in New Jersey, making her the first cowgirl to appear in a motion picture.
Despite not being from the West, Annie defined our notion of a cowgirl as a self-reliant, strong woman. She advocated for equal pay, and went to great lengths to defend her reputation. She challenged William Randolph Hearst in a series of libel lawsuits over a false newspaper story, winning 54 of 55 cases at great personal expense. After her retirement in 1913, Annie continued to tour the country, teaching over 15,000 women how to use firearms responsibly.
Illustrated by Chandler O’Leary and printed by Jessica Spring, demanding that our federal government enact strict controls to end gun violence.
Available now in the Dead Feminists shop.
February 20th, 2013
You can imagine my delight when I came home to find a book I’ve illustrated waiting in my mailbox! I’m happy to announce that The Edible Landscape by Emily Tepe, published by Voyageur Press, is now available!
The book is centered on a subject very close to my heart: urban homesteading and the slow food movement. It’s all about crafting a garden plan centered around edible plants. My drawings are sprinkled throughout the book, illustrating lots of design possibilities for gardeners. I love the idea that my watercolors might help someone dream up a plan for feeding their family and beautifying their home.
Many thanks to Voyageur Press, and most of all to my amazing art director, Cindy Laun, for bringing me onboard!
February 12th, 2013
Right now I’m in California, manning my table at the Codex Book Fair. But I have to say, it’s a little hard to concentrate.
I mean, not only am I surrounded by incredible work by a couple hundred artists—but just look at this space! We’re in a new venue this year, and it is absolutely spectacular.
Plus, we’re literally right on the water (really—the pavilion sits right on a pier), so as if all the artwork here weren’t distraction enough, all anyone has to do is just gaze out the window.
Now, it’s a good thing my studio isn’t in a place like this—I don’t think I’d ever get any work done!
January 12th, 2013
This weekend has given us that rarest of Northwest treats: winter sunshine. When that happens it’s also usually too cold to stand outside and draw, but this time it was worth the frozen fingertips to mark the occasion in my new daily book. That’s because the restoration of one of my favorite Tacoma landmarks is finally complete.
The Point Defiance Pagoda is one of the jewels in Tacoma’s crown. Built ninety-nine years ago, it began as a streetcar station and now stands as the centerpiece of our largest city park. It’s also a recurring character in my work—besides being iconic, it’s awfully fun to draw.
Detail of Continuum
It’s easy to forget how delicate our historic structures are, however. While I was working on this very portion of my Link Light Rail station design, I got word that the building was suddenly on the verge of ruin. Some kid had intentionally set fire to the pagoda—a few minutes of destructive boredom, and a hundred years went up in flames.
It was heartbreaking to hear the tales of Metro Parks officials, who had to watch firefighters toss the century-old ceramic roof tiles to the concrete ground to reach the burning beams inside.
In a way, though, maybe it’s a good thing it was the pagoda that burned, versus a lesser-known historic building. The public rallied, and restoration began almost immediately. Seven thousand roof tiles were hand-cleaned and reattached, and all fourteen of the original windows were salvaged. The restoration also allowed for the reintroduction or improvement of elements that had been remodeled away over the years—like the planting circle out front, or lighting that highlights the ornate roof beams inside (replacing the 1960s-era sconces that had been glommed on).
One of my illustrations for the Tacoma Playing Cards—you can find the original painting here
And now it’s as if the fire never happened. More than that—at today’s grand reopening celebration I got a good glimpse of its original glory. Somehow I couldn’t quite repress the feeling that a streetcar might come around the corner at any moment.
My favorite part is that I no longer have to rely solely on a deck of cards for good memories of the pagoda. Now I can resume my visits to the real thing—sketchbook in hand, as always.
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