Blog
August 2nd, 2013
I just got back from a return trip to Victoria—this time with the Tailor in tow.
We were only there for a couple of days, but long enough for me to see the Gardens—and sketch them—
—in their summer colors.
This was the Tailor’s first trip to Victoria, so I got to relive some favorite experiences with him.
Others, on the other hand, were new to both of us—
—and some were complete surprises.
Best of all, I think we had a chance to see the city in its best light.
July 22nd, 2013
If you’ve been reading this blog for any length of time, you already know that I keep a sketchbook with me wherever I go. And I go a lot of places. Over the years, this has translated to literally hundreds of drawings. Basically, I had a whole, huge body of work that nobody had ever seen, because somehow it never quite fit within the little world I had created online.
Until now.
I’m pleased to present Drawn the Road Again, a new kind of travel blog. You won’t find a single photograph on the site. Everything I post there is entirely illustrated—from scenic panoramas to urban gems to roadside attractions.
The blog isn’t in real time—nor does it follow any one trip from beginning to end. It jumps around from place to place, at different times, depending on the season, or the occasional running theme, or whatever happens to be on my mind. The result is a broad sampling of topics and places—I hope you’ll find it as much fun as I do.
Soon there will even be a little shop on the site, offering brand-new illustrations based on my travels. I’m still working out a few technical hiccups on the site, so look for the shop to go live in early August. I’ll make a quick announcement when it’s up and running.
This project has truly been a labor of love, and would not exist without the help of some very good friends. And I’m grateful to everyone who ever thumbed through one of my sketchbooks and said, “You should really put this online!” I finally listened.
So without further ado, let’s hit the road!
July 18th, 2013
Okay, folks, the countdown is ticking away. The Big Secret Project that I’ve been working on for months is almost ready to share, and it’s going live on Monday morning! (Can you guess what it is?) So check back here for all the details—thanks for sticking with me while I’ve been so secretive.
See you soon…
June 23rd, 2013
I’m usually terrible about attending organized sketch crawls, but today I made an extra effort and joined the local Urban Sketchers group up north in Edmonds, WA. My friend Gabi Campanario (who founded the group) was there, and while most of the rest of the group camped out to sketch around the downtown core, we set out for the shoreline. There, Gabi let me in on the best sketching secret ever: that the best place to be was under the ferry landing.
You can only walk under there (without waders) when the tide is lower than normal; today we had a boatload of sheer dumb luck, as it happened to be an exceptionally extreme spring tide. Today was not only a full moon, but a so-called “supermoon,” where the moon is the closest to Earth that it will be for the next year. We arrived on the scene about an hour before low tide, and found the place absolutely teeming with marine life.
I’ve seen tide pools before, but nothing like this. There were literally hundreds of sea stars, crabs, anemones and clams in lurid colors. And I got to make a few discoveries—like just how bizarre an anemone looks when it’s completely exposed and left hanging from a rock like a gob of soupy ABC gum. Or that if you stand in place long enough, sooner or later a clam will squirt a jet of water at you from two feet away, and hit you with uncanny accuracy.
The place was also teeming with beachcombers, who provided a good exercise in speed-sketching an ever-changing crowd (as if the seriously challenging perspective of all those pilings weren’t enough…). Gabi, on the other hand, was super easy to draw: he plonked himself down on a rock to paint, and became almost as motionless as the sea stars clinging to his perch.
So thanks, Gabi, for a great sketch outing today. And a big shout-out to the moon, for providing the perfect opportunity!
April 30th, 2013
Wayzgoose worked like a well-oiled machine this year—and that’s the way we like it.
(Even if we were just a little extra tired afterward.)
We were finally able to have the event in the parking lot next door, which allowed way more people to gather ’round the steamroller—and gave the artists more elbow room for spreading ink and chatting it up.
Steamroller prints by Ric Matthies (left) and Charles Wright Academy students (right)
The usual suspects were up to all kindsa good on Sunday—
Our print (left), Beautiful Angle (center), Maggie Roberts (right)
—and it was fun for Jessica and me to come back after a year off.
Photo by Victoria Bjorklund
This year, we added something a little different to the mix—just like we did in 2011 in San Francisco. After Jessica inked up the block…
Photo by Victoria Bjorklund
…and the steamroller packed its punch…
Photo by Victoria Bjorklund
…I set up shop across the parking lot, adding a few hand-colored touches to the piece.
Here’s the finished product—and for those of you who don’t happen to live in T-town, I’ll need to provide a little back-story. You probably recognize the reference to Botticelli’s Birth of Venus, but there’s a second tribute to pop artist Andy Warhol, as well. And I’m not just talking about Venus herself—to whom Warhol did pay homage in 1984.
You see, over thirty years ago now, Warhol was one of several artists to propose a permanent public artwork to adorn the roof of the Tacoma Dome. Not only was his proposal rejected at the time, but the whole project resulted in an enormous backlash of public opinion, insurance nightmares and political in-fighting—which literally derailed the city’s entire public art program for nearly two decades afterward. Fast-forward to today: not only is our public art program back in the saddle and going strong, but now there’s a growing movement to put Warhol’s flower on the Dome after all—which, in fact, would be the world’s largest Warhol original.
Whom do we have to thank for both the…uh…Renaissance of our public art program, and the push to bring Warhol back? Our wonderful City Arts Administrator, Amy McBride (click to see her talk about the Warhol story)—who, incidentally, drove the steamroller that printed our Venus linocut on Sunday.
How’s that for coming full-circle, huh?
Many thanks to everyone who stopped by on Sunday, and to Amy and the Tacoma Arts Commission for continuing to make art happen—both for Wayzgoose and for Tacoma.
April 24th, 2013
Yesterday was such a beautiful day, and my hands so badly needed a break from carving, that I took a day off and headed upstate to bask in the tulip fields.
And then, when I got home, there was a postcard waiting for me from my friend Jen—from her own tulip tour in the Netherlands.
I’m taking that as a sign that playing hooky yesterday was the right idea.
March 18th, 2013
It’s hard to believe it’s been two years since the last one, but a few weeks ago I was back for my second showing at the Codex International Bookfair. The four-day fair was at a new venue this year—a space so gorgeous just I had to break out the ol’ sketchbook.
This year (and hopefully every year from here on out) we were hosted by the Craneway Pavilion in Richmond, CA. Now a part of Rosie the Riveter National Historic Park (bonus points for being part of something else I love), the former Ford plant was used as a major military plant during World War II.
We had completely outgrown the old Codex stomping grounds in Berkeley—so while none of us knew what to expect of the new space, we were just hoping it would be big enough to fit a couple hundred artists under one roof.
We got way more than we bargained for—the space is absolutely cavernous. The bookfair was every bit as overwhelming as last time (just try looking at a few thousand pieces of art in four days!), but the Craneway gave the perfect breathing room to do the artwork justice. With its huge banks of windows and three-story ceiling, it almost felt like I was spending each day outdoors. I hated leaving at the end of each day.
And besides—this was the view from my table. Is there anything better than showing your work on one of the best chunks of real estate in the Bay Area? (Though I have to admit, every morning that one—admittedly awesome—Journey song would pop into my head, just like it always does when I’m in the area.*)
Occasionally I had to remind myself that I wasn’t just there to stare out the window, or bask in the sunshine on the dock outside, or scribble in my sketchbook. But I’m grateful to report that I had a nearly constant stream of visitors to my table to bring me back to reality when I needed it.
Huge props to all the folks who made the commute up to Richmond from San Francisco and Oakland (including Sarah and M-A for their help manning the table!)—judging by the comments I heard all week, you liked the new space as much as I did. And many thanks to all the return visitors from two years ago who came back to say hello (special shout-out to Adam D.!) or leave me with their own goodies. It felt great to be welcomed back.
One last thing: major thanks to Kate Farnady, who created this off-the-cuff stop-motion video of my Local Conditions book, right in the middle of our conversation about it. You made my day.
Codex, I’ll see you in two years—with any luck, right there on the waterfront again.
* Okay, you are not going to believe this, but as I wrote that sentence, that song came up on shuffle in my iTunes! Cross my heart. I’m officially freaked out now…
February 12th, 2013
Right now I’m in California, manning my table at the Codex Book Fair. But I have to say, it’s a little hard to concentrate.
I mean, not only am I surrounded by incredible work by a couple hundred artists—but just look at this space! We’re in a new venue this year, and it is absolutely spectacular.
Plus, we’re literally right on the water (really—the pavilion sits right on a pier), so as if all the artwork here weren’t distraction enough, all anyone has to do is just gaze out the window.
Now, it’s a good thing my studio isn’t in a place like this—I don’t think I’d ever get any work done!
September 21st, 2012
I gotta say—even though I have loved all the traveling I’ve done in the past few months,
there is just nothing like coming home.
September 12th, 2012
Since Jessica and I got back from teaching at the Penland School of Crafts, I’ve been struggling to put the experience into words. But no matter how I go on about how beautiful the Blue Ridge Mountains are; or how unique Penland’s creative culture is; or how amazingly talented each and every one of our students were; or how seriously delicious a hot bowl of cheese grits is after a walk in the chilly morning fog; or how many wonderful people we met; or how much we loved the challenge of basically teaching two classes in one intense week—well, I get a little incoherent. So I’ll let my sketchbook do the talking. (I kept a little notebook in my apron pocket all week, and every time I had a second to spare, I was scribbling away.)
In short: we can’t wait to go back. Huge thanks to the lovely folks at Penland for hosting us and creating such a wonderful place to learn and make things; to our seven fabulous students for their enthusiasm and willingness to dive right in; and to our angelic friend Mary-Alice for being the absolute hands-down best teaching assistant the world has ever seen. Hope to see y’all again soon!
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