Blog
June 3rd, 2010
The next print in our Dead Feminists series will be making its in-person debut on Tuesday—these few snippets might give you a clue as to our latest theme. Jessica and I will be doing our dog-and-pony show at the Gig Harbor branch of the Pierce County Library; if you’ve missed our previous lectures, come check it out! If you have seen seen it, you’ll already know our schtick, but you’ll still get to see the new piece first! As always, you can also get up to speed by reading about our process here.
Pressing Matters: local letterpress artists combine craft with history
Tuesday, June 8, 2010
7:00 p.m., free!
Gig Harbor Branch, Pierce County Library
4424 Point Fosdick Drive NW, Gig Harbor, WA
We’re a month late with the new broadside for a couple of reasons. The longest (4 months!) and most annoying delay came from the fact that we’ve had to switch to a different paper. I know that sounds silly, but the paper industry is very volatile, and if you’ve ever used a type of paper that you love, only to have it be discontinued (or worse, the company goes out of business), you’ll know how frustrating it can be to find a reasonable facsimile. I guess we should have seen this one coming—the paper we’ve been using is not only extremely unusual (made from recycled clothing!), but it’s also made by a tiny, independent paper company. It’s a long story, but the short version is that the paper is now perpetually on back-order, and we had begun to notice quality issues. So! We’ve finally found a very good, high-quality replacement, and while it doesn’t quite have the Cool Factor of the other stuff, we certainly have a lot less to worry about.
The broadside will appear online (both here and in the shop) on Wednesday, so stay tuned for more information. And in the meantime, in case you’re debating whether it’s worth the Sturdy Gertie bridge toll to attend the talk, you can say hello to the giant octopus* on the way!
*I just learned that one of the world’s largest species of octopus lives in the Tacoma Narrows, right under the bridge—a fact that completely made my week, and that I’ve obviously been dying to work in to a blog post.
May 18th, 2010
I’ve had volcanoes on the brain for nearly two years. Littering my studio are volumes of sketches, nearly 6,000 photographs, reference books, stacks of maps, and a brand new, functional prototype of the artist book about Mt. Rainier I’m working on—all evidence of my attempts at capturing a series of fleeting moments and freezing them in time and on paper. (Rainier is hiding there in the clouds, at the bottom of the above photo—but what I love most is that the cone looks like an erupting volcano! And speaking of which…)
Photo by the U.S. Geological Survey
And then there’s the little corked bottle of volcanic ash on my desk, inscribed with the date of the last major eruption of Mount St. Helens: exactly thirty years ago today.
I’ve been staring at that bottle on and off, all day, reminded of why I’m doing all of this (and why I can’t wait until I have something to show you!).
This project began as a tribute to Katsushika Hokusai, the Japanese printmaker and illustrator who created his famous Views of Mount Fuji woodblock series over 150 years ago.
Hokusai wanted to demonstrate the unchanging immortality of Fuji amidst the transient nature of everyday life. To him, Fuji was forever, an unshakable icon of Japan and one of the foundations of his culture.
The trouble is, Fuji is a volcano—just like Rainier and St. Helens—that by its very nature is constantly changing right along with the lives being lived in its shadow. That knowledge is where I found the root of my own project, and since then I’ve tried to document the fire mountain in my own back yard—to be there for every change and permutation.
Today’s date lit a bit of a fire under me, and prompted me to get on with the business of finishing this artist book. Because one day this is all going to happen again. Mount Saint Helens will be first, I’d wager; being the most active and youngest volcano in the Cascades, it may only be a matter of a few years. And some day, even if it’s a hundred or a thousand years from now, Rainier is going to have its turn, too.
For now, though, I’m just doing my best to pay attention to the present moment, because one day I may need help remembering how things used to be.
May 15th, 2010
Tomorrow is the first day of the 64th annual National Stationery Show in New York City, the largest paper goods trade event in the country. Around 1300 exhibitors and 15,000 national and international retailers will be there, and my friend Allison Chapman will be showing off her Igloo Letterpress products in her own booth!
Among Allison’s impressive collection of cards and paper goods will be these newest additions to our collaborative greeting collection.
(This pun is all my fault, I’m afraid. I know, I deserve to go to a punitentiary in Punnsylvania for that.)
NSS isn’t open to the general public, but the goal of attending is to expose our cards to a wide variety of retailers, and to meet like-minded letterpress folk.
If you’ll happen to be there (either as an exhibitor or with a guest pass), say hello to Allison for me—she’ll be in booth 1550. The National Stationery Show runs from May 16 to 19, at the Javits Center on West 34th Street.
Best of luck, Allison!
May 2nd, 2010
I think it’s time to get that new wok I’ve been meaning to buy, because I have a feeling it’s going to get a lot of use. The cookbook I illustrated is now available, and I can’t wait to give it a whirl.
Tacoma Community House has been serving Tacoma’s immigrant community for decades, offering an enormous range of educational and social services to its clients—including language translation and interpretation, job training, citizenship assistance, and employment programs. The diversity of clients is astounding—in the last year alone, TCH served clients from fifty-four countries. To bring their clients together and welcome them to the community, TCH has a tradition of holding potluck dinners. As a result, they’ve compiled an impressive collection of international recipes over the years. In honor of their 100th anniversary this year (can you believe that?), TCH has compiled a collection of their favorites into a cookbook: ¡Entrée!
I have a feeling they had quite a job of editing; ¡Entrée! contains over 140 recipes from five world regions. Even the name is a play on this diversity, combining the inverted exclamation point from Spanish with a French term.
Dishes represented here include empanadas, tabouli, spring rolls, moussaka, samosas, gazpacho, cottage pie, a wide range of curries, and even American Indian fry bread.
To bring all these recipes together into a cohesive theme, all the illustrations focused on hands—which came in handy for the step-by-step instructions.
(Hence all the hand-modeling by Zooey.)
Each recipe is as authentic as it gets—instead of being filtered through some chef or ethnic restaurant, these dishes come directly from the family traditions of TCH’s clients. They even passed the Tailor test (and he has high standards!)—no processed ingredients, no store-bought shortcuts, no mention of canned cream-of-mushroom soup. He even gave the English plum pudding recipe (which is one of his specialties) his stamp of approval.
I think I’ll be trying this one first:
Arroz Mexicano (Mexican Rice)
1/2 cup tomato sauce
1/2 cup water
2 green onions, chopped
2 cloves garlic, chopped
1/4 tsp salt
2 Tbsp lard or cooking oil
1 cup long grain rice
Tip: It’s important in Mexican rice to fry the rice before you add the liquids. It will make a difference in the texure and taste.
1. Mix tomato sauce and water together; add green onions, garlic and salt to the tomato sauce.
2. Heat lard or oil in a sauce pan on medium-high heat; add the rice and cook till slightly brown.
3. Add tomato sauce mixture and lower the heat; add more water of the mixture does not cover the rice. Cover and let simmer for about 20 minutes or until liquid is gone from the pan.
4. Lard is used by many Mexican families for cooking instead of cooking oils.
Oh, and about the lard: heck, yes. If you’ve ever tried refried beans at an authentic Mexican restaurant, the lard is what makes it taste so good. Don’t be afraid—a little lard won’t kill you. Go ahead and try it! Learn it, love it, lard it.
I loved working with TCH (and with Hana K., their talented designer, who treated my illustrations with such care), but even better was seeing ¡Entrée! on a bookstore shelf. You can find a copy in town at King’s Books, or you can try more sample recipes and order online here.
April 28th, 2010
Inked up,
hand-pulled,
and voilà! Our second collaborative steamroller print, an unofficial Dead Feminist, inspired by Cora Smith Eaton King, who in 1909 climbed Mt. Rainier with a party of Seattle Mountaineers and placed a “Votes for Women” banner at the summit.
This year’s Wayzgoose was the biggest bash yet! We had all the regulars—
who churned out perfection under pressure (no pun intended)—
our beloved ringleader,
a certain befezzed flavor,
and a whole host of newcomers to round out the experience.
We had an enormous crowd (thank goodness for the good weather!),
and even a few unexpected audience members.
This year I got to try my hand at driving the steamroller,
but I think pretending was plenty enough for this little guy.
Thanks to everybody who stopped by to say hello, or stuck around to lend a helping hand.
And of course, a huge bucket of gratitude to the Tacoma Arts Commission for making it all happen!
One more acknowledgement: photography by Michael O’Leary. Thanks, Dad!
April 18th, 2010
Jessica and I are carving like mad this week, getting ready for some quality steamroller time.
Next Sunday, April 25, is the sixth-annual Wayzgoose at King’s Books, right here in Tacoma. This year promises to be the biggest hullabaloo yet, with letterpress magnetic poetry, B.Y.O. t-shirt printing, papermaking demos, artist tables, and the star of the show: steamroller printing! Last year over 500 people came to check it out, despite a torrential downpour—and this year, the weather just might promise to behave, so we’re bracing for a mob. There’s a reason for the crowds: this is a heckuva lot of fun. Here’s the skinny:
6th Annual Wayzgoose!
Sunday, April 25, 2010
Noon to 4 pm
Free!
King’s Books
218 St. Helens Ave., Tacoma
Eight artists and artist-teams will be printing gigantic three-by-four-foot linocuts in the street, including Jessica and me—we’ll be adding another unofficial Dead Feminist to our roster. (Take a gander at our last steamroller print here.) This is just a sneak peek; stop by next Sunday to see this block in action.
See you there!
March 8th, 2010
If you ever wanted to find out once and for all what the heck an artist book is, take a little field trip to Burien, WA. The group show Page Turner: Contemporary Artist Books is up this month at the Burien Arts Gallery, a tiny half-Cape house converted into a charming exhibition space.
Kelda Martensen did a stand-up job of curating the show—and artist books aren’t easy to display, believe me. She’s represented a wide variety of work, from prints to traditional bindings to kinetic sculptures, featuring the work of artists nationwide, including Inge Bruggeman, Ken Botnick, Regin Ingloria, Jana Harper, Diana Guerrero-Macía, and many others.
The gallery is open noon to four, Thursday through Sunday, and on Thursday, March 18, at 7 pm, Kelda will be giving a curator’s talk about the work in the show, sponsored by the Book Arts Guild. Free admission, always.
I’ve got a couple of pieces in the show, as well. Above is From Concentrate,
and this is The Faery Gardener.
Here’s the rub, though: the recession has hit all galleries where it hurts, but since the Burien Arts Gallery is run by the city, times have been especially tough there. This will be the last exhibit in the Cape Cod house; and possibly the last ever for Burien Arts, unless they can find public support, funding and a new space. So come check it out before they have to close their doors on March 19 (the website says they’re already closed, but you can still see the show).
Speaking of artist books, if you missed Mnemonic Sampler at PLU, there’s another chance to catch the series in a new venue, closer to home: the Tempest Lounge, here in Tacoma.
My friend Denise is the owner of the place, and when she asked if I was interested in showing there, I jumped at the chance. Although I love the clean beauty of a traditional gallery space, my favorite exhibition venues are the offbeat ones—restaurants, coffee shops, libraries, and now classy retro bars! I love these spaces because they bring art into real life, and invite folks to feast their eyes wherever they are. Most people (including myself, I must admit) are more likely to step into an eatery or a library than a gallery, and a coffee shop doesn’t have the same intimidating associations that some people have with galleries (that feeling of “If you’re not here to buy, you shouldn’t be here at all”). Plus, at the Tempest you can have a beer or cocktail while you look at the art. You can’t beat that.
If beer isn’t your thing, you can also have a cuppa tea or joe, and the food is divine—Denise runs a classy joint here. So curl up on a retro couch for happy hour, come chat by the adorable green picket fence, or just stop in to take in that fabulous red wall. Mnemonic Sampler will be up through April 30.
March 6th, 2010
The other night I went to a talk by comics artist Art Spiegelman, and as usual, brought one of my trusty sketchbooks with me. Since comics and I go way back, and I’m a big Spiegelman fan, I think I got a little carried away with the doodles accompanying my lecture notes. I was a little abashed when the people next to me noticed and commented; all I could say was, “I do this a lot—it helps me remember.”
I’ve always been an obsessive note-taker, but I discovered in college that adding sketches to my notes went a long way towards my good grades in art history (this must have been the “Naked Ladies of the 15th and 16th Centuries” lecture or something).
Then when I fell in with the book arts, drawn diagrams were a godsend for remembering complicated equipment and technical processes.
By the time I graduated, the habit was ingrained. I found not only that drawing was an excellent memory trigger, but also helped me focus on the moment at hand.
The comments on my Spiegelman doodle reminded me that I had a funny habit of drawing comic artists and writers (from the left, Marjane Satrapi, Harvey Pekar, David Mazzucchelli)—and often portraying them as comic-book characters themselves. As I dug through something on the order of fifteen sketchbooks to find my grumpy Pekar sketches, I unearthed scores of these things, from all manner of locations and events:
classes, performances and lectures;
public transit and airports—
—among other things—
family gatherings (yes, I quoted the above verbatim; that’s the Tailor’s uncle, and he’s comedic gold);
work meetings;
restaurants, coffee shops;
wedding receptions;
and even my own mirror, when I’m working alone (that one’s an oldie from college).
I draw when I’m trying to document an event, when I’m nervous, when I encounter a particularly unusual face, when I’m telling a story of an odd person I saw that day, when I want to preserve a loved one, and even when I’m not really aware of it—I found plenty of sketches that I had no memory of making.
Maybe there’s some psychological disorder that lists obsessive and semi-conscious sketching as a symptom, but this is one compulsion I’d like to hold on to. I know I spend more time drawing the speaker than taking actual notes, but if I remember the content just as well, I suppose it all comes out in the wash. Besides, I can’t possibly be the only one who does this, right?
Right?
March 2nd, 2010
Allison of Igloo Letterpress and I have been doing some more cross-country collaboration lately. This time I illustrated a set of hand-bound journals featuring a pattern of Brownstones—one of my favorite types of houses, and a recurring theme in my drawings.
I’m so lucky to work with Allison—despite the distance, and the fact that we haven’t seen each other for two years, I feel like I we’re on the same wavelength. I love the fact that we can trust each other to make independent creative decisions, and have faith that they’ll come together into a harmonious whole. But my part of the project is finished when I send her black-and-white illustrations for printing—since I can’t exactly pop into her shop whenever I want, I really have no idea how the finished product will look until she sends it to me.
So imagine my delight when a package arrived containing four beautifully-bound hardcover books, with my illustration splashed on the cover in gorgeous color—
—and printed right onto the book cloth, no less!
I did a little hopping dance around the living room after that.
Here’s the best part, and a flash of Allison’s brilliance: not only do the books fit together thematically, but when they stand together on a bookshelf, the spines line up to complete the picture.
Since these are so labor-intensive to make, Allison is offering them only as a limited edition. But they’ve already been a big hit so far—which makes everything so, so satisfying.
February 20th, 2010
Jessica and I have had some seriously huge smiles for the past couple of days: we just received our copies of the latest issue of Kiki Magazine, which contains a feature on the Dead Feminists!
Before we were contacted for an interview, neither of us had heard of the magazine, but I can tell you that we became instant fans when we read its mission. Unlike so many other magazines written for teenage girls, which usually (even if inadvertently) tend to focus on questioning one’s body, popularity, attractiveness and overall self-worth, Kiki aims to empower girls with self-esteem, confidence, and a wide variety of knowledge and skills. As someone who is generally dismayed by the lack of respect with which our society tends to treat girls and women, and the self-loathing and doubts still being ingrained from their earliest experiences onward, Kiki seems like a breath of fresh air—and a huge relief.
And hey—who are we really creating these broadsides for, anyway? What is it that we’re trying to change in our world? It’s not just about the social issues we cover with each piece—it’s about teaching the women and girls around us that they can be heard, that what they say and do matters.
So Kiki gets an A-plus in my book, not just for the thoughtful content (no ads! No boy-crazy quizzes! All substance!), but for the fantastic design! This thing is seriously fun to read and gorgeous to look at. And look! My favorite part:
Rock on, Kiki. We’re honored to be a part of what you do.
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