Blog
March 12th, 2015
I just got back from over a month of traveling—first by way of a road trip to the bottom of California and back, and immediately afterward, a one-way Florida-to-Washington drive with a friend. In 33 days I logged well over 8,000 miles, and crossed several vastly different regions of the country. So even with the help of my trusty sketchbooks, my memories of the trip aren’t terribly linear. They’re more of a jumble of images flashing through my mind—so in that spirit, here is a similar jumble of images.
Now that I’m back in the studio, I’m trying hard to get my momentum back on my ongoing projects—and to suppress (for a little while, at least) the ideas that are coming as thick and fast as the images in my memory. We’ll see how long I last before some new project (or twelve) comes out of this trip…
June 16th, 2014
This is my friend Carl.
He’s a wood engraver extraordinaire—
—and his West Seattle letterpress studio is a thing of beauty.
He does lovely, painstaking work (those are his engravings on the wall there), and he runs a tight ship at that studio of his.
Which is why my friend Mary-Alice called on Carl when she picked up a vintage Adana flatbed press, and wanted help whipping it into shape. She and her husband were planning to bring the press to West Seattle yesterday. I’d never seen an Adana in action before (I’m more of a Vandercook gal myself), so I asked to tag along.
Carl was more than ready for us.
He gave the press a quick once-over. “I think you’re getting off too easy, Mary-Alice,” he said. “There aren’t even any spiders under here!”
A few drops of oil,
some careful adjustments,
one of Carl’s own engravings to use as a test,
and a little text M-A set from his massive collection of type—and all of a sudden the Adana was print-ready.
Carl even broke out the fancy handmade paper—”This is an important occasion!” he said.
Pretty darn good results, if you ask me. Carl made us all sign the finished broadside. (Mariners pencil for the win!)
“How come I get to sign?” I asked, confused.
Carl chuckled and said, “You documented the occasion. Sign it!”
Aye, aye, Captain!
October 14th, 2013
It’s funny how totally different projects can converge into a single theme. This summer and fall I’ve found myself to be doing a whole bunch of similar commissions for completely different clients. The theme this time? Book covers.
First up is Erik Hanberg, who is not only the tech genius behind my new travel blog, but also Tacoma’s own Parks Commissioner and a fabulously talented writer. Erik has just finished his latest novel, The Lead Cloak—one of the best parts of being asked to illustrate the cover was that I got to be one of the very first to read the book. (It’s a page-turner!) This design was a departure for me again, because I got to mix a very graphic, slightly abstract sci-fi style with a more painterly background. It ended up being an uneasy combination, which we both loved—because it matches the tension and unease of the book. (If you want more details than that, you’ll have to pick up your copy at the book launch tomorrow!)
Next is a how-to travel book by my friend Mary-Alice, author of the wildly popular blog, Dog Jaunt. M-A is the hands-down expert on how to bring your pup along on your adventures, and she’s written what I think is the Bible of pet-travel advice. This was a fun project for me because (for once!) I got to design something clean, spare, and simple—and indulge in some serious punnage. And as an added bonus, M-A let me redesign the look of the Dog Jaunt blog to match—woot! (I mean…woof!)
Last, but never least, is the magazine cover I was asked to illustrate for Eastern Washington University. From beginning to end, this project was an absolute joy—because I was able to do exactly what I would do if I were standing at Turnbull National Wildlife Refuge with a sketchbook in hand. My art director was inspired by the sketches I was posting on Drawn the Road Again, and asked me to replicate the style for the magazine.
Now all that’s left for me to do is to visit the place in person—and start filling the ol’ sketchbook.
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