Blog

Share it!

Third time’s a charm

Mt. Rainier sketch by Chandler O'Leary

After nearly a year, image-gathering for my Mt. Rainier artist book is finally coming to an end, and I’m starting to make the final illustrations. I have a huge stack of sketches, scribbles and recorded data, and thousands upon thousands of photos to sift through. This month and next are scheduled for the all-important (and terrifying) process of Figuring Out How the Heck to Make It Work—physical mock-ups, final compositions, text-writing, etc. But before I could move on with a clear conscience, I had one last far-away location to cross off my research list: Portland. And for some reason, the stars just weren’t aligning for me.

Mt. Rainier sketch by Chandler O'Leary

My first attempt this summer was also my first-ever trip to the city, so I had to location-scout with a blank mental map—and when I finally found what I was looking for, it was too hazy to see anything anyway (hence the dotted line where Rainier should be). Since Portland is 140 miles away, I couldn’t just try again any old time I pleased. As the months went by, I became increasingly frustrated—the location I visited over the summer (Larch Mountain) is inaccessible in the winter, and although I had another spot in mind, my schedule and the weather (which was way harder to pin down than an open travel day!) just couldn’t find anything in common; the last few months have been typically Northwestern, with plenty of rain, fog and drear for a volcano to hide behind. Finally, last week, it seemed I had my chance. T-town was socked in with pea-soup fog, but since the previous day had started the same way and ended in sunshine, I decided to go for it. As I cleared the Puget lowlands and the fog lifted, I caught crystal-clear glimpses of Rainier to the east as I went, and my confidence rose. I wouldn’t know for sure until I got there, but the sunny weather seemed like it would hold. I made good time to Portland, wound my way up to Council Crest Park, jogged up to the viewpoint and faced north—

Portland photo by Chandler O'Leary

—and saw that Mt. Saint Helens didn’t get the memo. It had its own private weather system blocking Rainier from view.

It was a long drive home that night.

The last few days were torture. The weekend taunted me with sunny mornings and cloudy afternoons (good thing I didn’t take the bait), and the perfect weather went untested Monday and Tuesday while I taught class and kept appointments instead. By Tuesday night, I was sure I’d missed my last chance, and resigned myself to leaving Portland out of the book. But yesterday dawned cold and flawlessly clear, and I was astonished to find my calendar empty. I left the Tailor an incoherent voicemail at work (“I’m going right now! I’ll be back tonight!”) and jumped in the car. Exactly two hours and twenty-three minutes later, this is what I saw:

Mt. St. Helens photo by Chandler O'Leary

That’s St. Helens in front, with Rainier just peeking around her left shoulder.

And here’s the illustration that resulted from all this work:

Mt. Rainier and Mt. St. Helens letterpress illustration by Chandler O'Leary

And in case I had any doubts about one image being worth all this trouble, Portland offered me a little bonus—a compositional jewel that I could never have dreamed up on my own:

Mt. Hood photo by Chandler O'Leary

The City of Roses was still, impossibly, in bloom.

Share it!

On display

Promo postcard for "Mnemonic Sampler" abecedary by Chandler O'Leary

Finally, something tangible to show you! This is the point where all of the elements for my new body of work are just starting to come together. The past couple of months have been somewhat of a nail-biter—sometimes I wonder what possessed me to create twenty-six new pieces for a last-minute show. Now that the promo postcards (see above) are in hand and I can see the finish line, however, I can tell that my instincts knew what they were doing.

Mnemonic Sampler is my new solo show, opening October 14 at the PLU University Gallery. Here are the details:

Mnemonic Sampler: An Abecedary by Chandler O’Leary
October 14 to November 11
University Gallery, Ingram Hall
Pacific Lutheran University, Tacoma, WA
Opening Reception: Wednesday, October 14, 5-7 pm

On display will be something of a room-sized artist book, consisting of twenty-six hand-embroidered monoprints on calico (a monoprint is the opposite of an edition, a one-of-a-kind piece). Together the prints form an abecedary, or alphabet, and tell the story of how our concepts and ideals of “Home” are linked to the everyday objects that surround us. More on this topic when the show opens, but for now, here’s a peek (since the work is not quite finished, a peek is all I’ve got for now):

Detail of "Mnemonic Sampler" abecedary by Chandler O'Leary

Many, many thanks to the talented and infinitely helpful Katie S. at PLU, who took care of having show postcards printed and mailed (!), orchestrated every logistic detail, and who has made the whole process as smooth as pumpkin pie. I would have long since lost my mind if it weren’t for you, Katie!

23Sandy Gallery postcard featuring "End of the Line" broadside by Chandler O'Leary and Jessica Spring

Speaking of amazing women who run galleries, another big thank-you and shout-out to Laura Russell of 23 Sandy Gallery in Portland, for featuring End of the Line on the promo materials for another new show that opens tonight. Broadsided! is national, juried exhibition of letterpress broadsides featuring the work of thirty-four artists. Here are the details from the 23 Sandy website:

Broadsided! The Intersection of Art and Literature
October 2-31, 2009
23 Sandy Gallery
623 NE 23rd Avenue
Portland, OR 97232
Opening reception: Friday, October 2, 6-9 pm

Before books, before blogs and before broadcasts, there were broadsides. Historically, single sheet broadsheet posters were ephemeral in nature. They were developed in the fifteenth century for royal proclamations, official notices and even advertisements. Today, broadsides hang at the intersection of art and literature. Letterpress printed broadsides are valued as fine art designed and printed by a true craftsperson; but also as fine literature featuring stellar poetry or prose.

The best part about the Broadsided! exhibit is that you don’t have to be local to see it! Laura has set up a fantastic online catalogue of the work in the show, with photos and the complete text from each broadside. Nothing beats seeing art in person, of course, but if you can’t make it to Portland this fall, this is a brilliant alternative.