Blog
November 12th, 2013
Every so often the Tailor and I rack up a list of errands to run down in Portland. So we pick a Saturday and hit the road early. But before we tackle our list of stops to make, we always start our visit with a quiet cuppa somewhere. Since Portland is chock-a-block with fantastic bakeries and coffee shops, we try to hit a different place every time. This weekend it was the French bakery, St. Jack—and some quality time with the ol’ sketchbook.
October 10th, 2013
I just got back from a glorious trip to the Canadian Maritimes with my best friend. We got to spend lots of time catching up,
live our childhood Anne of Green Gables fantasies,
eat our weight in lobster (and sport the latest bib fashions),
contemplate hilarious souvenirs (I don’t think the polar bears are for sale, dude)—
—as well as the inexplicable—
—and of course, have plenty of time for sketching. I’ll be posting the occasional sketchbook drawing from the trip over at my Drawn the Road Again blog, so feel free to follow along!
September 18th, 2013
If you’re like me, and you need a break from the studio every once in a while, I’d recommend hopping on a ferry and heading for the San Juan Islands.
Spend a few days soaking up the sights,
and maybe bring along your paintbox.
I guarantee, you’ll leave refreshed and good as new.
July 22nd, 2013
If you’ve been reading this blog for any length of time, you already know that I keep a sketchbook with me wherever I go. And I go a lot of places. Over the years, this has translated to literally hundreds of drawings. Basically, I had a whole, huge body of work that nobody had ever seen, because somehow it never quite fit within the little world I had created online.
Until now.
I’m pleased to present Drawn the Road Again, a new kind of travel blog. You won’t find a single photograph on the site. Everything I post there is entirely illustrated—from scenic panoramas to urban gems to roadside attractions.
The blog isn’t in real time—nor does it follow any one trip from beginning to end. It jumps around from place to place, at different times, depending on the season, or the occasional running theme, or whatever happens to be on my mind. The result is a broad sampling of topics and places—I hope you’ll find it as much fun as I do.
Soon there will even be a little shop on the site, offering brand-new illustrations based on my travels. I’m still working out a few technical hiccups on the site, so look for the shop to go live in early August. I’ll make a quick announcement when it’s up and running.
This project has truly been a labor of love, and would not exist without the help of some very good friends. And I’m grateful to everyone who ever thumbed through one of my sketchbooks and said, “You should really put this online!” I finally listened.
So without further ado, let’s hit the road!
July 18th, 2013
Okay, folks, the countdown is ticking away. The Big Secret Project that I’ve been working on for months is almost ready to share, and it’s going live on Monday morning! (Can you guess what it is?) So check back here for all the details—thanks for sticking with me while I’ve been so secretive.
See you soon…
June 28th, 2013
More than a thousand towns and cities in the U.S. are lucky enough to have had a Carnegie Library under their belt, and Tacoma is no exception. Today, our Carnegie Library is a wing of the expanded main campus of the Tacoma Public Library—and the rotunda now houses the fabulous Northwest Room, the ultimate resource for Tacoma and Northwest history. It’s a gorgeous space, and beloved in these here parts. So I figured it would be a perfect addition to the Red Deck of the Tacoma Playing Cards.
I didn’t think they’d take kindly to me breaking out the watercolors in a room full of rare books, but I was at least able to do the line drawing on-site. (‘Scuse the wobbly iPhone photo.) And that’s always a tricky prospect for me—I always do as much drawing from life possible, but I’d much rather disappear into the woodwork while doing so. My drawings are always better when I can concentrate uninterrupted. The trouble is, the only place I can consistently sketch in public without anyone noticing me is New York. Here in Tacoma—where I run into someone I know at least once a day—it’s a different story.
In the Northwest Room there was a table right in front of me, which would have made me far less conspicuous while sketching. But in order to get the point of view I wanted, I had to stand dead-center in an aisle, right in the middle of the room. Yet not once in the hour-plus I stood there, sticking out like a sore thumb and obviously not doing what people normally do in there, did anyone bother me—or ask me what the heck I was doing, or make eye contact, or even register my existence.
I think I just found my new favorite sketching spot.
June 23rd, 2013
I’m usually terrible about attending organized sketch crawls, but today I made an extra effort and joined the local Urban Sketchers group up north in Edmonds, WA. My friend Gabi Campanario (who founded the group) was there, and while most of the rest of the group camped out to sketch around the downtown core, we set out for the shoreline. There, Gabi let me in on the best sketching secret ever: that the best place to be was under the ferry landing.
You can only walk under there (without waders) when the tide is lower than normal; today we had a boatload of sheer dumb luck, as it happened to be an exceptionally extreme spring tide. Today was not only a full moon, but a so-called “supermoon,” where the moon is the closest to Earth that it will be for the next year. We arrived on the scene about an hour before low tide, and found the place absolutely teeming with marine life.
I’ve seen tide pools before, but nothing like this. There were literally hundreds of sea stars, crabs, anemones and clams in lurid colors. And I got to make a few discoveries—like just how bizarre an anemone looks when it’s completely exposed and left hanging from a rock like a gob of soupy ABC gum. Or that if you stand in place long enough, sooner or later a clam will squirt a jet of water at you from two feet away, and hit you with uncanny accuracy.
The place was also teeming with beachcombers, who provided a good exercise in speed-sketching an ever-changing crowd (as if the seriously challenging perspective of all those pilings weren’t enough…). Gabi, on the other hand, was super easy to draw: he plonked himself down on a rock to paint, and became almost as motionless as the sea stars clinging to his perch.
So thanks, Gabi, for a great sketch outing today. And a big shout-out to the moon, for providing the perfect opportunity!
April 15th, 2013
Sending healing thoughts to one of my home cities, one of my favorite cities, tonight. Be well, people of Boston. Stay strong.
March 18th, 2013
It’s hard to believe it’s been two years since the last one, but a few weeks ago I was back for my second showing at the Codex International Bookfair. The four-day fair was at a new venue this year—a space so gorgeous just I had to break out the ol’ sketchbook.
This year (and hopefully every year from here on out) we were hosted by the Craneway Pavilion in Richmond, CA. Now a part of Rosie the Riveter National Historic Park (bonus points for being part of something else I love), the former Ford plant was used as a major military plant during World War II.
We had completely outgrown the old Codex stomping grounds in Berkeley—so while none of us knew what to expect of the new space, we were just hoping it would be big enough to fit a couple hundred artists under one roof.
We got way more than we bargained for—the space is absolutely cavernous. The bookfair was every bit as overwhelming as last time (just try looking at a few thousand pieces of art in four days!), but the Craneway gave the perfect breathing room to do the artwork justice. With its huge banks of windows and three-story ceiling, it almost felt like I was spending each day outdoors. I hated leaving at the end of each day.
And besides—this was the view from my table. Is there anything better than showing your work on one of the best chunks of real estate in the Bay Area? (Though I have to admit, every morning that one—admittedly awesome—Journey song would pop into my head, just like it always does when I’m in the area.*)
Occasionally I had to remind myself that I wasn’t just there to stare out the window, or bask in the sunshine on the dock outside, or scribble in my sketchbook. But I’m grateful to report that I had a nearly constant stream of visitors to my table to bring me back to reality when I needed it.
Huge props to all the folks who made the commute up to Richmond from San Francisco and Oakland (including Sarah and M-A for their help manning the table!)—judging by the comments I heard all week, you liked the new space as much as I did. And many thanks to all the return visitors from two years ago who came back to say hello (special shout-out to Adam D.!) or leave me with their own goodies. It felt great to be welcomed back.
One last thing: major thanks to Kate Farnady, who created this off-the-cuff stop-motion video of my Local Conditions book, right in the middle of our conversation about it. You made my day.
Codex, I’ll see you in two years—with any luck, right there on the waterfront again.
* Okay, you are not going to believe this, but as I wrote that sentence, that song came up on shuffle in my iTunes! Cross my heart. I’m officially freaked out now…
January 12th, 2013
This weekend has given us that rarest of Northwest treats: winter sunshine. When that happens it’s also usually too cold to stand outside and draw, but this time it was worth the frozen fingertips to mark the occasion in my new daily book. That’s because the restoration of one of my favorite Tacoma landmarks is finally complete.
The Point Defiance Pagoda is one of the jewels in Tacoma’s crown. Built ninety-nine years ago, it began as a streetcar station and now stands as the centerpiece of our largest city park. It’s also a recurring character in my work—besides being iconic, it’s awfully fun to draw.
Detail of Continuum
It’s easy to forget how delicate our historic structures are, however. While I was working on this very portion of my Link Light Rail station design, I got word that the building was suddenly on the verge of ruin. Some kid had intentionally set fire to the pagoda—a few minutes of destructive boredom, and a hundred years went up in flames.
It was heartbreaking to hear the tales of Metro Parks officials, who had to watch firefighters toss the century-old ceramic roof tiles to the concrete ground to reach the burning beams inside.
In a way, though, maybe it’s a good thing it was the pagoda that burned, versus a lesser-known historic building. The public rallied, and restoration began almost immediately. Seven thousand roof tiles were hand-cleaned and reattached, and all fourteen of the original windows were salvaged. The restoration also allowed for the reintroduction or improvement of elements that had been remodeled away over the years—like the planting circle out front, or lighting that highlights the ornate roof beams inside (replacing the 1960s-era sconces that had been glommed on).
One of my illustrations for the Tacoma Playing Cards—you can find the original painting here
And now it’s as if the fire never happened. More than that—at today’s grand reopening celebration I got a good glimpse of its original glory. Somehow I couldn’t quite repress the feeling that a streetcar might come around the corner at any moment.
My favorite part is that I no longer have to rely solely on a deck of cards for good memories of the pagoda. Now I can resume my visits to the real thing—sketchbook in hand, as always.
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