October 14th, 2014
Both Jessica and I have solo shows on display right now, and while they deal with different topics, our similar personalities and interests made for a surprising number of overlaps. While we were marveling at how much our shows had in common with each other (which was especially funny, considering that neither of us saw the other’s exhibit until both were installed!), it occurred to us that it might be fun to have our receptions on the same night.
So we joined this month’s Third Thursday Artwalk and created a mini gallery crawl of our own. Here’s how it works: stop by my reception at the Tacoma Public Library first and pick up a letterpress keepsake. Then take your keepsake down the hill to Jessica’s reception at the Old Post Office (which is exactly 5 blocks from the library), and print a phrase on it with her antique printing press. Both events are free and open to the public. We’ll also have a small pop-up shop at Jessica’s reception, stocked with goodies related to our shows and also featuring guest artist Mare Blocker.
Here’s the skim milk:
Third Thursday Art Walk: Dual Exhibition Receptions
Stop 1: Drawn the Road Again
Solo exhibition by Chandler O’Leary
4 to 5:30 pm
Tacoma Public Library Handforth Gallery
1102 Tacoma Avenue South
Stop 2: reCollection
A Spaceworks installation by Jessica Spring
5 to 9 pm
Old Tacoma Post Office, north end of lobby
1102 A Street
Put on your walkin’ shoes, and we’ll fire up the press—see you on Thursday!
September 15th, 2014
‘Scuse the bad photos—all I had on me was a mobile phone and a shaky hand. But that’s okay, because if you’re local, you can see the real thing. I just finished installing my newest solo show, featuring sketchbook drawings of roadside attractions!
I went for a wide variety of favorite fiberglass and concrete monuments—not just here in Washington, but all over the U.S. (and even in Canada). The result is 30 drawings of roadside kitsch, from giant food to warring twine balls to bovine behemoths. Here are the details:
Drawn the Road Again: Roadside Attractions sketched by Chandler O’Leary
On display through October 25, 2014
Handforth Gallery, Tacoma Public Library
1102 Tacoma Ave. South, Tacoma, WA
Reception: Thursday, October 16, 4 to 5:30 pm
For the reception on October 16, I’m trying something a little different: instead of an opening reception, it’s more of a closing one. And that’s because I’m teaming up with my buddy Jessica Spring to do double receptions that night, with a joint keepsake! Here’s how it works: stop by my show first and pick up a commemorative illustrated postcard. Then head down to Jessica’s reception at the Old Post Office (which is just a few blocks down the hill at 1102 A Street), and print a saying on your postcard with Jessica’s antique platen press. More details on her show can be found here (scroll down).
Many thanks to David Domkoski and the Tacoma Public Library for hosting me and providing such a great and visible space, and to Mary-Alice for helping me hang the show and stay sane! (Also for wearing the best Chuck Taylors I’ve seen in years.)
One more thing—if you can’t be there in the flesh, you can find all the fiberglass on the Drawn the Road Again blog! I’ll be featuring roadside attractions from now through the end of the show (new posts every Monday, Wednesday and Friday)—many that are in the exhibit, and some extra goodies that are just online.
See you there—in the meantime, watch out for sharks!
June 28th, 2013
More than a thousand towns and cities in the U.S. are lucky enough to have had a Carnegie Library under their belt, and Tacoma is no exception. Today, our Carnegie Library is a wing of the expanded main campus of the Tacoma Public Library—and the rotunda now houses the fabulous Northwest Room, the ultimate resource for Tacoma and Northwest history. It’s a gorgeous space, and beloved in these here parts. So I figured it would be a perfect addition to the Red Deck of the Tacoma Playing Cards.
I didn’t think they’d take kindly to me breaking out the watercolors in a room full of rare books, but I was at least able to do the line drawing on-site. (‘Scuse the wobbly iPhone photo.) And that’s always a tricky prospect for me—I always do as much drawing from life possible, but I’d much rather disappear into the woodwork while doing so. My drawings are always better when I can concentrate uninterrupted. The trouble is, the only place I can consistently sketch in public without anyone noticing me is New York. Here in Tacoma—where I run into someone I know at least once a day—it’s a different story.
In the Northwest Room there was a table right in front of me, which would have made me far less conspicuous while sketching. But in order to get the point of view I wanted, I had to stand dead-center in an aisle, right in the middle of the room. Yet not once in the hour-plus I stood there, sticking out like a sore thumb and obviously not doing what people normally do in there, did anyone bother me—or ask me what the heck I was doing, or make eye contact, or even register my existence.
I think I just found my new favorite sketching spot.
January 30th, 2010
It’s just about that time again: Jessica and I are working hard on the next Dead Feminist broadside. She’s poring through texts and historical facts, and I’m pencilling as fast as my tendonitis will let me. This time we’ll be unveiling the new piece at the Washington State Library near Olympia; the staff invited us to give a lecture about the series next month.
The library boasts the entire collection of letters and personal papers of Emma Smith DeVoe (pictured above, right), women’s rights activist and leader of the Washington suffragist movement. And since this year marks the 100th anniversary of women’s suffrage in Washington, we figured Emma would be a perfect fit for the new piece.
So a couple of weeks ago, Jessica, Zooey (R.I.P., J.D. Salinger) and I took a field trip to visit the archives and conduct a little research. When we arrived, we realized what they meant by “collection:” twelve enormous boxes packed full of letters, clippings and souvenirs. A “little” research obviously wasn’t going to happen.
Luckily, the incredibly knowledgeable and helpful library staff (thank you, Sean!) let us take as much time and as many photos as we needed. So we cozied up to a work station and dived in, one box at a time. Together we went through literally thousands of pieces of paper.
What we found was a fascinating collection of souvenirs, business cards, newspaper clippings,
leaflets and other propaganda,
fan letters (Emma had an impressive array of admirers),
telegrams, notes from sitting U.S. senators and presidential aides, and reams and reams of correspondance between the members of the Washington suffragist movement.
The trouble was, most of these documents were utterly mundane—letter after letter simply acknowledged receipt of previous correspondance, or gave detailed instructions for planning events and delegating tasks. Worst of all, Emma rarely made carbon copies of her half of the correspondance, so there was very little in her own voice.
We spent nearly four hours poring over every folder and box, and the only potential Emma quotes we found were mined from this instructional card. Still, it didn’t feel like we had found our inspiration—just a few weeks from our talk, we had no quote and no social topic for the piece.
What we did have, however, was a much clearer picture of the women behind the fight for suffrage in our state (that’s May Arkwright Hutton above; she and Emma didn’t exactly get along), right down to addresses of homes and buildings still standing in Tacoma (the headquarters of the movement).
From the documents themselves to the individual script hands of each letter writer, we had an incredible window into political life from a hundred years ago.
And we found a good lead. Just as interesting as Emma (and more forthcoming with their own voices) were Cora Smith Eaton King, M.D. (pictured above, right)—correspondent, fellow leader of the movement, and one of the first women to scale Mt. Rainier!—and Bernice Sapp—friend, activist, and the one who compiled this collection of documents and donated it to the library.
Bernice’s letters were full of quirky character and wit. We loved how she called Emma “the General,” and referred to herself and other suffragists by male titles: “Brother King,” “Mr. Hutton,” or simply “him.”
Cora, on the other hand, was a real firecracker. Her letters (often scribbled on scraps of paper, even her own prescription pad!) revealed an eloquent intelligence and a sizzling sense of humor. We fell head-over-heels for Cora, and began to doubt that Emma was the right voice for the broadside—still, though, we had no quote from any of these women.
A few days later, Jessica hit up the astounding Northwest Room at the Tacoma Public Library, and hit the jackpot. She discovered a document that linked all of these women together, which decided us on a slightly different approach to quoting historical feminists. That’s all I’ll say for now, except that the new broadside may or may not depict a certain quivering, questionable “food” substance:
If you want to be one of the first to see what the heck I’m talking about, I invite you to come check out our talk at the Washington State Library. Here are the details:
Pressing Matters: an evening with Chandler O’Leary and Jessica Spring
Wednesday, February 10, 2010
6:30 p.m. (doors open at 6:00), free!
Washington State Library
6880 Capitol Boulevard, Tumwater, WA
Libraries and archives face a tough reality in the current economy—especially here in Washington, where a regressive tax system has left the State Library with a 30% staff reduction and major cuts to its operating and acquisitions budgets. The 2003 earthquake damaged their building on the historic capital campus in Olympia, and forced them to relocate “temporarily” to a suburban office park a few miles south in Tumwater. Even when the economy recovers, it is unlikely the library’s funding will return to the levels it enjoyed in more prosperous eras, so the move to Tumwater is looking increasingly permanent. Despite these setbacks, the State Library continues to acquire new items (including our artwork!) for the collection and provide an essential service in preserving our state’s history. So please come and show your support for the library—a good turnout will help them provide more public events in the future, and might just go a long way toward saving them from another visit to the chopping block.