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Penland sketchbook

Tennessee aerial sketch by Chandler O'Leary

Since Jessica and I got back from teaching at the Penland School of Crafts, I’ve been struggling to put the experience into words. But no matter how I go on about how beautiful the Blue Ridge Mountains are; or how unique Penland’s creative culture is; or how amazingly talented each and every one of our students were; or how seriously delicious a hot bowl of cheese grits is after a walk in the chilly morning fog; or how many wonderful people we met; or how much we loved the challenge of basically teaching two classes in one intense week—well, I get a little incoherent. So I’ll let my sketchbook do the talking. (I kept a little notebook in my apron pocket all week, and every time I had a second to spare, I was scribbling away.)

Penland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'Leary

In short: we can’t wait to go back. Huge thanks to the lovely folks at Penland for hosting us and creating such a wonderful place to learn and make things; to our seven fabulous students for their enthusiasm and willingness to dive right in; and to our angelic friend Mary-Alice for being the absolute hands-down best teaching assistant the world has ever seen. Hope to see y’all again soon!

Penland School of Crafts sketch by Chandler O'Leary

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How does your garden grow?

"P-Patch" letterpress broadside by Chandler O'Leary

A couple of months ago I was asked to create a letterpress broadside for a collaborative print portfolio for a show in Asheville, put together by the Ladies of Letterpress. The theme was Expanding Communities—beyond that, we could do anything we wanted. So I focused on a unique element of Seattle’s community: the P-Patch.

A P-Patch is a community garden like any other—and completely unlike any other. The name comes from the Picardo family, who converted their farm into the city’s first truly communal garden in the 1970s. So to this day, if you life in Seattle, you tend your p-patch, not your garden plot. That just charmed the heck out of me, and I wanted to create a tribute to it.

P-Patch is completely hand-lettered, as well as hand-painted with watercolor, in homage to the hard work required to maintain a thriving garden. Many thanks to the Ladies of Letterpress gals for inviting me to be a part of the portfolio—I can’t wait to see what everyone else came up with!

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Okey dokey artichokey

Artichokes sketch by Chandler O'Leary

Today is my fourth anniversary of living in lovely T-town. And all I can think of is: A) I can’t believe it’s been four years already—

Artichokes sketch by Chandler O'Leary

and B) I still can’t believe I live in a place where artichokes will grow happily in the front yard.

I love this place.

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A thank-you note

"Best of Tacoma" sketch by Chandler O'Leary

(Since they tell me a picture’s worth a bucket of words…)

Thank you, everyone!

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Patchwork

Process photo of "P-Patch" letterpress broadside by Chandler O'Leary

I’m working on a little something in Jessica’s studio right now.

Something that’s making me downright hungry.

I’ll show you the finished product as soon as it’s done—provided I don’t go bury my head in the veggie crisper first!

Process photo of "P-Patch" letterpress broadside by Chandler O'Leary

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Deal me in

Tacoma Playing Cards "blue deck" card back design by Chandler O'Leary

My brain is chock full of useless information—I could sing you about 35,000 ad jingles on key, or recite Jurassic Park or Trading Places or a hundred other movies line-for-line. But don’t challenge me to a game of Poker, because I have a terrible head for card games. I love playing them, and am always up for learning when friends come over a suggest a rubber of something or other. The trouble is, I forget the rules right away—so whenever I sit down to a rematch, it’s like starting at square one.

As an example, I used to do summer stock theatre, and we techies had a tradition of playing Hearts backstage during the sound check. So I played Hearts every night for two months straight, three summers in a row, and I still can’t remember the rules now. (Something about being saddled with the Queen of Spades, and lots of half-joking shouted epithets surrounding that card, but that’s about it.)

Over the years I have learned and forgotten dozens of card games—including Snap, President, Pitch, Five Card Draw, Seven Card Stud, Crazy Eights, Kings Corners, Egyptian Ratscrew, Spades, Slapjack, Pig, Cheat, Five Hundred, Hand & Foot, Whist—and probably plenty of others that I’ve even forgotten the name for.

About the only games I can ever keep in my head are the embarrassingly simple ones like War, Go Fish, Old Maid and Blackjack. Oh, and I can play Cribbage like a fiend, because my dad and his Scottish friend Alex taught me when I was nine or ten. We used to have hilariously cutthroat wee-lass-vs.-grown-man Cribbage tournaments on a regular basis, so how could I ever forget that?

Tacoma Playing Cards "blue deck" concept sketches by Chandler O'Leary

Being lousy at remembering any card games, however, hasn’t stopped me from wanting to design a card game. Or collecting interesting or unusual decks (the Tailor and I have a good dozen in regular rotation). So when my friends Maija and Amy asked me to be the designer on the poker deck they were dreaming up, I think must have freaked them out by shouting, “YES!” before they’d even finished their sentence.

(And as an added bonus, I got first dibs on my favorite Tacoma haunts.)

Stadium High School illustration (for the Tacoma Playing Cards) by Chandler O'Leary

These gals weren’t looking for any old run-of-the-mill card deck, either. They wanted to show off Tacoma in all her architectural splendor. And since we’re blessed with a veritable boatload of fabulously talented artists in this town, they decided to divvy up the deck by ranks—with fourteen artists, each tackling a list of locations in four-of-a-kind fashion. I loved being the first to see the collection of incredible artwork come down the pike from these folks. Everybody involved in the project has gone above and beyond our wildest imagination—I can’t wait to see the finished deck.

Pt. Defiance Pagoda illustration and Tacoma Playing Cards design by Chandler O'Leary

Beyond just creating something beautiful and fun, Amy and Maija have their eyes on a bigger prize. They want to create a real, no-kidding Tacoma souvenir. We get a lot of visitors and tourists around here, what with the Sound and the Mountain and the Universities and what-have-you—but you’d be hard-pressed to find Tacoma-specific tchotchkes (or even postcards!) that aren’t sarcastic. And I know I’m not the only one around here who’s a little tired of folks knockin’ T-town, based solely on a stereotype and a thirty-year-old reputation. So we’re upping the ante a little, and offering a bit of hard evidence that Tacoma is pretty dern great.

Tacoma Playing Cards "blue deck" box design by Chandler O'Leary

You know my schtick by now, so you can guess that all the lettering and pattern doo-dads are hand-drawn. I had the pleasure of designing the suits, rank typography, card face template, card backs and box.

Tacoma Makes logo and concept illustrations by Chandler O'Leary

I even got to design the logo for Maija and Amy’s company, Tacoma Makes. Basically, it was the kind of project I’m always on the lookout for, but which rarely lands in my lap. So I spent about half of the time grinning my fool head off, and the other half pinching myself in disbelief.

Tacoma Playing Cards "blue deck" box design sketch by Chandler O'Leary

I also got to flex my file-production muscles. I love to geek out over the technical side of design, but since I started my business, much of my production work has centered around letterpress printing. So playing with dielines and spot color swatches again was a nice little challenge.

Tacoma Playing Cards "blue deck" box design by Chandler O'Leary

We’re taking all these extra steps because this is a real, bona fide, professional-grade poker deck. The kind folks at the U.S. Playing Card Company are manufacturing the cards for us—they’re the people behind the Bicycle, Bee, Hoyle and other card brands. So you won’t have to hedge your bets that this deck will be extra tasty.

Tacoma Playing Cards successful Kickstarter campaign

To raise funds for the card printing, and even pay for modest artist contracts, we set up a Kickstarter project (much like the Apocalypse Calendar that you all so graciously funded last year). Now normally this would be where I explain that Kickstarter projects are only funded if they reach their entire monetary goal by the deadline—but I don’t have to! I left town for a few days, just after the project launch, with the intention of spreading the word when I got home. So imagine how floored I was to come back and discover that we’d met our goal in just six days!

Tacoma Playing Cards mentioned on Twitter

The response to this has been staggering. And it’s not only the lovely legions of fellow Tacomans who have supported us—we’re seeing pledges come in from all over the country. And as a nerdy fan-girl aside, I just have to squeal and tell you that Neko Freaking Case (a hometown Tacoma gal) has been retweeting my designs in the Twitterverse. Dorky internet hero fantasy: fulfilled, folks.

Old City Hall illustration (for the Tacoma Playing Cards) by Chandler O'Leary

The Kickstarter project will run through July 19, so you can still contribute if you want to get in on rewards and goodies that are only available to backers. Otherwise, the cards will be in hand and dealt out this November—along with an exhibition of all the original artwork.

There’s even a rumor of an artist game night in the works, so cut the cards! I’m up for any game you’re willing to teach me—as long as you don’t mind that I’ll probably forget the rules before the night is through.

In the meantime, thank you so much for all your support for our crazy card deck! I’ve said it before, and I’ll say it again—Tacomans (and honorary Tacomans!) are the best folks on earth.

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Edited to add (fall 2013): The blue deck has been so popular that we have done a red deck as a sequel! The new deck features all new artwork and artists—you can read more about it here.

Bob's Java Jive illustration (for the Tacoma Playing Cards) by Chandler O'Leary

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Secret sliver

Detail of Tacoma Playing Cards "blue deck" card back design by Chandler O'Leary

I’m helping some friends of mine cook up a big ol’ basket of hometown pride. That’s all I’ll say for now, but we’ll be ready to spill the beans next week.

It’ll be worth the wait, I promise.

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Love Nest

"Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

If you happen to live in Washington state, you can’t help but notice that love is in the air. It’s not quite what you think, though—rather than turtledoves and cupids flying around, the breeze is carrying ballot petitions and angry voices.

Though Washington became the seventh U.S. state to legalize same-sex marriage earlier this year, opponents forced a voter referendum to decide the issue this November. So while we’d rather just toast our friends and their families, we’ve got to put up our dukes first.

Already tempers are running high, and everyone seems to be up in arms—it’s total anarchy out there. So we thought, who better to talk to than an anarchist?

The most vital right is the right to love and be loved.  —Emma Goldman

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

Huh. Pretty down-to-earth for an anarchist, actually. Especially if you consider some of the other things Emma’s said in the past.

I think that if we could somehow put all the ladies we’ve featured previously into a room together, they might end up killing each other (good thing they’re already dead, eh?). They all had such different ideologies and passions that I can’t imagine all fourteen of them agreeing on any one thing. But I’m fairly sure they’d be united over Emma—in thinking she was a complete weirdo, that is. (Sorry, Emma.)

Yet for all her outlandish creeds and fierce opinions, her thoughts on families, love and motherhood cut straight to the heart of the matter. And that’s what drew us to her.

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

To pay homage to Emma’s folksy words, we turned to folk art for inspiration. (Get out your grandma’s Pyrex and raise a glass!) Love Nest is dominated by a lively brood of nesting matryoshka dolls. Each individual is different, but together they complete the picture of a nurtured, multicolor family. Roosters, hens and chicks complete the flock waiting for the next generation to hatch as Emma’s words stitch the family together.

To support the diversity nested within every family, we’ll be donating a portion of the proceeds to both the Rainbow Center and Oasis Youth Center, right here in T-town. The Rainbow Center is dedicated to eliminating discrimination based on sexual orientation and gender. Oasis is a drop-in support center dedicated to the needs of GLBTQ youth ages 14-24.

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

Speaking of chickens, there’s another tribute hiding in here—a nod to the very first matryoshka doll ever made.

This might well be the most difficult piece we’ve tackled yet. Beyond the challenges of marrying (no pun intended) the views of a 19th-century fringe activist to modern-day social issues, we also had some seriously precarious business on the technical side. Those of you who are into the nitty gritty details of letterpress may know that each print color requires a separate plate, a separate pass on press. We’ve got four colors in the final result, but because of the tricky magic of translucent inks, there’s actually only three plates/three passes here. The red and teal mix to make brown—which means that the registration (alignment) of each plate had to match up just right.

I was expecting Jessica to throttle me when I showed her the color separations, but as usual, she barely even batted an eye: “Yeah, we can do that.”

Or maybe she just knows me so well now that she’s expecting the crazy.

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Love Nest: No. 15 in the Dead Feminists series
Edition size: 126
Poster size: 10 x 18 inches

Printed on an antique Vandercook Universal One press, on archival, 100% rag (cotton) paper. Each piece is numbered and signed by both artists.

Colophon reads:
Emma Goldman (1869 – 1940) was born in Kovno, part of the Russian Empire (now Lithuania). She moved to New York in 1885 to live with relatives, supporting herself with factory work. In the following year, news of the Chicago Haymarket riot changed Goldman’s life. In honor of the riot victims and the labor movement, she determined to “dedicate myself to the memory of my martyred comrades, to make their cause my own.” She joined Alexander Berkman—another Russian immigrant—in spreading her vision of an ideal society, based on the anarchist principle of absolute freedom. Goldman founded the political and literary journal “Mother Earth,” and toured the country speaking about anarchism, birth control and economic freedom for women. She was arrested numerous times over her unconventional opinions, accused of disseminating illegal information and inciting to riot.

At a time when even her fellow anarchists questioned her support of homosexuality, Goldman spoke out: “It is a tragedy, I feel, that people of different sexual type are caught in a world which shows so little understanding … and is so crassly indifferent to the various gradations and variations of gender.” She openly opposed U.S. entry into WWI, was jailed once more for obstruction of the draft, and finally deported back to Russia under the 1918 Alien Act. She spent the rest of her life in exile, supporting anarchist causes abroad. After her death, Goldman’s body was repatriated and buried in Chicago—near the Haymarket anarchists that had so inspired her.

Illustrated by Chandler O’Leary and printed by Jessica Spring, who with Goldman “demand freedom for both sexes, freedom of action, freedom in love and freedom in motherhood.”

UPDATE: poster is sold out. Reproduction postcards available in the Dead Feminists shop!

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring


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About to hatch

Detail of "Love Nest" process illustration by Chandler O'Leary

Our new Dead Feminists broadside is coming next week! We’re still printing, which is proving to be a bit of a sticky wicket (as you’ll see), but here’s a snippet for now. Any guesses?

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Landslide in reverse

"Hillside Sketchbook" installation by Chandler O'Leary

"Hillside Sketchbook" installation by Chandler O'Leary

In case you haven’t seen it yet, my Hillside Sketchbook installation is coming along nicely! The scene will keep growing and shifting all this month, before the exhibit ends on June 30. Swing by the Woolworth Windows at 11th and Broadway in Tacoma, and catch it while you can. (Hint: it’s especially fun during the Farmers Market on Thursdays!)

"Hillside Sketchbook" installation by Chandler O'Leary