Blog

Share it!

Sainted suds

Pint Defiance photo by Chandler O'Leary

Can’t you just hear the choir of angels singing, “Ahhhhhhhhhhhhh” over a pint right now?

I think that’s how everybody around here felt last month, when my good friends (and veteran restaurateurs) Barry & Renée Watson opened the doors of their newest business, Pint Defiance Specialty Beers & Taproom. I mean, come on—look at that heavenly glow there!

Pint Defiance photo by Chandler O'Leary

Barry and I share a deep love of all things campy and kitschy—so when he asked me to design the identity for Pint Defiance (which in itself is a top-notch pun on Point Defiance, Tacoma’s famous city park), I think he knew he had me at “hello.” Within about ten seconds we were both cackling over the possibilities of things like faux woodgrain and vintage scout badges.

"Pint Defiance" logo designed by Chandler O'Leary

So I put together a hand-lettered logo based on vintage script and the kind of hand-hewn wooden signs you find at summer camps and state parks.

Pint Defiance photo by Chandler O'Leary

I knew I had hit on the right theme when I saw Barry’s collection of vintage paint-by-number pieces—which are now hanging proudly in the taproom (this, people, is the perfect illustration of why we are friends).

"Pint Defiance" t-shirt designed and hand-lettered by Chandler O'Leary

Because I couldn’t resist ganging up on the Point Defiance joke, I also designed a hand-lettered t-shirt for the shop (which is kind of an inside joke for Tacoma folks, sorry—if you’ve ever been to Point Defiance Park, the place is filthy with raccoons, and there are “Don’t Feed the Wildlife” signs absolutely everywhere).

"Pint Defiance" t-shirt designed and hand-lettered by Chandler O'Leary

photo by Barry Watson

Below the asterisk, the fine print reads: “Beer is okay, though.” For the record, Barry came up with that nugget, so don’t send PETA after me!

"Pint Defiance" logo designed by Chandler O'Leary

Whenever I stop by the shop, it still strikes me as thrilling (and a little strange) to see my logo reproduced on a hundred pieces of glassware—

Pint Defiance photo by Chandler O'Leary

—or lining the wall above the impressively massive cooler.

Pint Defiance photo by Chandler O'Leary

Best of all, though, is the fact that whenever I stop by, Barry flashes me a smile and hands me a pint of cider (my favorite), before I get a chance to ask. And then I raise a toast to Renée, knowing that their little business is going to be a smashing success. Congrats, you two!

"Pint Defiance" logo designed by Chandler O'Leary

Share it!

Penland sketchbook

Tennessee aerial sketch by Chandler O'Leary

Since Jessica and I got back from teaching at the Penland School of Crafts, I’ve been struggling to put the experience into words. But no matter how I go on about how beautiful the Blue Ridge Mountains are; or how unique Penland’s creative culture is; or how amazingly talented each and every one of our students were; or how seriously delicious a hot bowl of cheese grits is after a walk in the chilly morning fog; or how many wonderful people we met; or how much we loved the challenge of basically teaching two classes in one intense week—well, I get a little incoherent. So I’ll let my sketchbook do the talking. (I kept a little notebook in my apron pocket all week, and every time I had a second to spare, I was scribbling away.)

Penland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'LearyPenland School of Crafts sketch by Chandler O'Leary

In short: we can’t wait to go back. Huge thanks to the lovely folks at Penland for hosting us and creating such a wonderful place to learn and make things; to our seven fabulous students for their enthusiasm and willingness to dive right in; and to our angelic friend Mary-Alice for being the absolute hands-down best teaching assistant the world has ever seen. Hope to see y’all again soon!

Penland School of Crafts sketch by Chandler O'Leary

Share it!

Mountain dispatch

Penland School of Crafts photo by Chandler O'Leary

All I can manage is a quick note today—because this is where I am right now … and this place has got me pretty speechless.

Penland School of Crafts photo by Chandler O'Leary

I’m here teaching with Jessica this week, with a studio full of smart, sassy, and seriously talented women.

Penland School of Crafts photo by Chandler O'Leary

The class has got us inspired to stay up late printing every night, but it’s hard to feel tired—

Penland School of Crafts photo by Chandler O'Leary

—when you’ve got this view waiting for you when you return to work every morning.

Share it!

A thank-you note

"Best of Tacoma" sketch by Chandler O'Leary

(Since they tell me a picture’s worth a bucket of words…)

Thank you, everyone!

Share it!

Deal me in

Tacoma Playing Cards "blue deck" card back design by Chandler O'Leary

My brain is chock full of useless information—I could sing you about 35,000 ad jingles on key, or recite Jurassic Park or Trading Places or a hundred other movies line-for-line. But don’t challenge me to a game of Poker, because I have a terrible head for card games. I love playing them, and am always up for learning when friends come over a suggest a rubber of something or other. The trouble is, I forget the rules right away—so whenever I sit down to a rematch, it’s like starting at square one.

As an example, I used to do summer stock theatre, and we techies had a tradition of playing Hearts backstage during the sound check. So I played Hearts every night for two months straight, three summers in a row, and I still can’t remember the rules now. (Something about being saddled with the Queen of Spades, and lots of half-joking shouted epithets surrounding that card, but that’s about it.)

Over the years I have learned and forgotten dozens of card games—including Snap, President, Pitch, Five Card Draw, Seven Card Stud, Crazy Eights, Kings Corners, Egyptian Ratscrew, Spades, Slapjack, Pig, Cheat, Five Hundred, Hand & Foot, Whist—and probably plenty of others that I’ve even forgotten the name for.

About the only games I can ever keep in my head are the embarrassingly simple ones like War, Go Fish, Old Maid and Blackjack. Oh, and I can play Cribbage like a fiend, because my dad and his Scottish friend Alex taught me when I was nine or ten. We used to have hilariously cutthroat wee-lass-vs.-grown-man Cribbage tournaments on a regular basis, so how could I ever forget that?

Tacoma Playing Cards "blue deck" concept sketches by Chandler O'Leary

Being lousy at remembering any card games, however, hasn’t stopped me from wanting to design a card game. Or collecting interesting or unusual decks (the Tailor and I have a good dozen in regular rotation). So when my friends Maija and Amy asked me to be the designer on the poker deck they were dreaming up, I think must have freaked them out by shouting, “YES!” before they’d even finished their sentence.

(And as an added bonus, I got first dibs on my favorite Tacoma haunts.)

Stadium High School illustration (for the Tacoma Playing Cards) by Chandler O'Leary

These gals weren’t looking for any old run-of-the-mill card deck, either. They wanted to show off Tacoma in all her architectural splendor. And since we’re blessed with a veritable boatload of fabulously talented artists in this town, they decided to divvy up the deck by ranks—with fourteen artists, each tackling a list of locations in four-of-a-kind fashion. I loved being the first to see the collection of incredible artwork come down the pike from these folks. Everybody involved in the project has gone above and beyond our wildest imagination—I can’t wait to see the finished deck.

Pt. Defiance Pagoda illustration and Tacoma Playing Cards design by Chandler O'Leary

Beyond just creating something beautiful and fun, Amy and Maija have their eyes on a bigger prize. They want to create a real, no-kidding Tacoma souvenir. We get a lot of visitors and tourists around here, what with the Sound and the Mountain and the Universities and what-have-you—but you’d be hard-pressed to find Tacoma-specific tchotchkes (or even postcards!) that aren’t sarcastic. And I know I’m not the only one around here who’s a little tired of folks knockin’ T-town, based solely on a stereotype and a thirty-year-old reputation. So we’re upping the ante a little, and offering a bit of hard evidence that Tacoma is pretty dern great.

Tacoma Playing Cards "blue deck" box design by Chandler O'Leary

You know my schtick by now, so you can guess that all the lettering and pattern doo-dads are hand-drawn. I had the pleasure of designing the suits, rank typography, card face template, card backs and box.

Tacoma Makes logo and concept illustrations by Chandler O'Leary

I even got to design the logo for Maija and Amy’s company, Tacoma Makes. Basically, it was the kind of project I’m always on the lookout for, but which rarely lands in my lap. So I spent about half of the time grinning my fool head off, and the other half pinching myself in disbelief.

Tacoma Playing Cards "blue deck" box design sketch by Chandler O'Leary

I also got to flex my file-production muscles. I love to geek out over the technical side of design, but since I started my business, much of my production work has centered around letterpress printing. So playing with dielines and spot color swatches again was a nice little challenge.

Tacoma Playing Cards "blue deck" box design by Chandler O'Leary

We’re taking all these extra steps because this is a real, bona fide, professional-grade poker deck. The kind folks at the U.S. Playing Card Company are manufacturing the cards for us—they’re the people behind the Bicycle, Bee, Hoyle and other card brands. So you won’t have to hedge your bets that this deck will be extra tasty.

Tacoma Playing Cards successful Kickstarter campaign

To raise funds for the card printing, and even pay for modest artist contracts, we set up a Kickstarter project (much like the Apocalypse Calendar that you all so graciously funded last year). Now normally this would be where I explain that Kickstarter projects are only funded if they reach their entire monetary goal by the deadline—but I don’t have to! I left town for a few days, just after the project launch, with the intention of spreading the word when I got home. So imagine how floored I was to come back and discover that we’d met our goal in just six days!

Tacoma Playing Cards mentioned on Twitter

The response to this has been staggering. And it’s not only the lovely legions of fellow Tacomans who have supported us—we’re seeing pledges come in from all over the country. And as a nerdy fan-girl aside, I just have to squeal and tell you that Neko Freaking Case (a hometown Tacoma gal) has been retweeting my designs in the Twitterverse. Dorky internet hero fantasy: fulfilled, folks.

Old City Hall illustration (for the Tacoma Playing Cards) by Chandler O'Leary

The Kickstarter project will run through July 19, so you can still contribute if you want to get in on rewards and goodies that are only available to backers. Otherwise, the cards will be in hand and dealt out this November—along with an exhibition of all the original artwork.

There’s even a rumor of an artist game night in the works, so cut the cards! I’m up for any game you’re willing to teach me—as long as you don’t mind that I’ll probably forget the rules before the night is through.

In the meantime, thank you so much for all your support for our crazy card deck! I’ve said it before, and I’ll say it again—Tacomans (and honorary Tacomans!) are the best folks on earth.

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Edited to add (fall 2013): The blue deck has been so popular that we have done a red deck as a sequel! The new deck features all new artwork and artists—you can read more about it here.

Bob's Java Jive illustration (for the Tacoma Playing Cards) by Chandler O'Leary

Share it!

Love Nest

"Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

If you happen to live in Washington state, you can’t help but notice that love is in the air. It’s not quite what you think, though—rather than turtledoves and cupids flying around, the breeze is carrying ballot petitions and angry voices.

Though Washington became the seventh U.S. state to legalize same-sex marriage earlier this year, opponents forced a voter referendum to decide the issue this November. So while we’d rather just toast our friends and their families, we’ve got to put up our dukes first.

Already tempers are running high, and everyone seems to be up in arms—it’s total anarchy out there. So we thought, who better to talk to than an anarchist?

The most vital right is the right to love and be loved.  —Emma Goldman

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

Huh. Pretty down-to-earth for an anarchist, actually. Especially if you consider some of the other things Emma’s said in the past.

I think that if we could somehow put all the ladies we’ve featured previously into a room together, they might end up killing each other (good thing they’re already dead, eh?). They all had such different ideologies and passions that I can’t imagine all fourteen of them agreeing on any one thing. But I’m fairly sure they’d be united over Emma—in thinking she was a complete weirdo, that is. (Sorry, Emma.)

Yet for all her outlandish creeds and fierce opinions, her thoughts on families, love and motherhood cut straight to the heart of the matter. And that’s what drew us to her.

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

To pay homage to Emma’s folksy words, we turned to folk art for inspiration. (Get out your grandma’s Pyrex and raise a glass!) Love Nest is dominated by a lively brood of nesting matryoshka dolls. Each individual is different, but together they complete the picture of a nurtured, multicolor family. Roosters, hens and chicks complete the flock waiting for the next generation to hatch as Emma’s words stitch the family together.

To support the diversity nested within every family, we’ll be donating a portion of the proceeds to both the Rainbow Center and Oasis Youth Center, right here in T-town. The Rainbow Center is dedicated to eliminating discrimination based on sexual orientation and gender. Oasis is a drop-in support center dedicated to the needs of GLBTQ youth ages 14-24.

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring

Speaking of chickens, there’s another tribute hiding in here—a nod to the very first matryoshka doll ever made.

This might well be the most difficult piece we’ve tackled yet. Beyond the challenges of marrying (no pun intended) the views of a 19th-century fringe activist to modern-day social issues, we also had some seriously precarious business on the technical side. Those of you who are into the nitty gritty details of letterpress may know that each print color requires a separate plate, a separate pass on press. We’ve got four colors in the final result, but because of the tricky magic of translucent inks, there’s actually only three plates/three passes here. The red and teal mix to make brown—which means that the registration (alignment) of each plate had to match up just right.

I was expecting Jessica to throttle me when I showed her the color separations, but as usual, she barely even batted an eye: “Yeah, we can do that.”

Or maybe she just knows me so well now that she’s expecting the crazy.

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

 

Love Nest: No. 15 in the Dead Feminists series
Edition size: 126
Poster size: 10 x 18 inches

Printed on an antique Vandercook Universal One press, on archival, 100% rag (cotton) paper. Each piece is numbered and signed by both artists.

Colophon reads:
Emma Goldman (1869 – 1940) was born in Kovno, part of the Russian Empire (now Lithuania). She moved to New York in 1885 to live with relatives, supporting herself with factory work. In the following year, news of the Chicago Haymarket riot changed Goldman’s life. In honor of the riot victims and the labor movement, she determined to “dedicate myself to the memory of my martyred comrades, to make their cause my own.” She joined Alexander Berkman—another Russian immigrant—in spreading her vision of an ideal society, based on the anarchist principle of absolute freedom. Goldman founded the political and literary journal “Mother Earth,” and toured the country speaking about anarchism, birth control and economic freedom for women. She was arrested numerous times over her unconventional opinions, accused of disseminating illegal information and inciting to riot.

At a time when even her fellow anarchists questioned her support of homosexuality, Goldman spoke out: “It is a tragedy, I feel, that people of different sexual type are caught in a world which shows so little understanding … and is so crassly indifferent to the various gradations and variations of gender.” She openly opposed U.S. entry into WWI, was jailed once more for obstruction of the draft, and finally deported back to Russia under the 1918 Alien Act. She spent the rest of her life in exile, supporting anarchist causes abroad. After her death, Goldman’s body was repatriated and buried in Chicago—near the Haymarket anarchists that had so inspired her.

Illustrated by Chandler O’Leary and printed by Jessica Spring, who with Goldman “demand freedom for both sexes, freedom of action, freedom in love and freedom in motherhood.”

UPDATE: poster is sold out. Reproduction postcards available in the Dead Feminists shop!

Detail of "Love Nest" letterpress broadside by Chandler O'Leary and Jessica Spring


Share it!

Just in case I missed the rain

San Juan Islands ferry sketch by Chandler O'Leary

I think Washington was jealous that I left it for Texas last month—

San Juan Islands ferry photo and sketch by Chandler O'Leary

—because when my best friend Elizabeth came out for a trip to the San Juan Islands, we were treated to endless rain. That’s okay, though—the San Juans are absolutely gorgeous in any weather.

San Juan Islands photo by Chandler O'Leary

The place could not be more different than what I saw in West Texas—not the landscape,

Orcas Island photo by Chandler O'Leary

not the culture,

San Juan Island photo by Chandler O'Leary

not the flora or fauna, either.

San Juan Islands whale-watching sketch by Chandler O'Leary

What it had in common with the desert, though, was that it made me fall in love in exactly the same way.

San Juan Island photo by Chandler O'Leary

Share it!

Wild goose (paper) chase

Tacoma Wayzgoose photo by Chandler O'Leary

Oh, man. I’m beat. You people plum wore me out this time. Every year I keep thinking we can’t possibly top the previous one, but Wayzgoose just keeps getting better and better. And this year, the weather was so unbelievably good* that I think half of Tacoma (plus a good portion of Seattle and a smattering of Portland) put on their walking shoes and marched into our midst.

*See all those pairs of sunglasses? That straw hat? You don’t see those much ’round these parts. We’re the pasty-rainy vampire people, remember? Sunshine in April = naw, son, you must be dreaming.

To put it another way: it was absolute crazy sauce.

Or maybe it was just that the word is fully out now about our little printers’ party. After all, the Weekly Volcano said last week, “There are otherwise button-down, Wonder-bread, vanilla South Sounders who lose their ever-lovin’ shizz over Wayzgoose.” Amen, bros.

Big thanks to everyone who showed up to the party (even if I didn’t get a chance to thank you in person); to the Tacoma Arts Commission for being our fairy godparents; to the small army of adorable volunteers who kept everything chuggin’ along; to Rosemary Ponnekanti at the News Tribune for the write-up; to Kyle Durrie for making an appearance in her travelin’ Type Truck; and to sweet pea Flaherty and Jessica Spring for making it all happen.

Anagram Press table at the Tacoma Wayzgoose. Photo by Chandler O'Leary.

Speaking of Jessica, I think I laid eyes on her all of twice, all day. She was scurrying around and herding cats outside, while I was camped behind a steady stream of folks at our adjacent tables (thanks, y’all!). There wasn’t even room to sneak a hip shot of how many people were shoehorned in there, so the only photos I could snag were right at the beginning before folks showed up, or at the end, when people finally started to clear out.

Tacoma Wayzgoose photo by Chandler O'Leary

I know this doesn’t look like a big crowd, but trust me—it was a total sardine can in there. (Or clown car, if you prefer circus metaphors. I know I do.) But when the room is packed with all your favorite Northwesterners, it’s a win-win.

Tacoma Wayzgoose photo by Chandler O'Leary

Among the talented regulars was my lovely friend Keegan (and of course, Atticus, who frequently thinks he’s a pirate parrot. Yarr!).

Tacoma Wayzgoose photo by Chandler O'Leary

There was also a very special newcomer this year. My former student Sara caught the letterpress bug, and caught it bad. In less than three years since she took my class, she and her husband Brad (pictured) have gone from newbie nestlings to fully-fledged, successful business owners. Sigh. My kids are all grown up and making a hand-printed ruckus! It does my heart good.

Tacoma Wayzgoose photo by Chandler O'Leary. Steamroller prints by Audra Laymon and Ric Matthies.

Outside, the steamroller prints were better than ever. (Special shout-out to Audra Laymon for her goatey Blueberry Park print! I think a hundred people heard me squeal when I saw it.)

Jessica and I decided to sit out the steamroller this year to make room for a few new folks, and that turned out to be a smart move. Just standing at my table for six+ hours hobbled me like an arthritic old woman—I don’t think my knee would have been up to printing. My only regret was not being able to witness much of the spectacle this year.

Tacoma Wayzgoose photo by Chandler O'Leary

I did sneak outside long enough to learn that Tacoma’s own Arts Commissioners had been pressed into service (heckuva job, Scott!)—

Tacoma Wayzgoose photo by Chandler O'Leary. Steamroller prints by Chris Sharp and Charles Wright Academy.

and that the print quality was the tastiest it’s ever been, thanks to some tweaked techniques Jessica gleaned from our day in San Francisco last fall.

Tacoma Wayzgoose photo by Chandler O'Leary

Attendance reached a new record this year—I think we’re an official Tacoma institution now. Mr. sweet pea says the count of men, women, children, babies and beasties approached the 1,000 mark!

(R.J. says: Word to your mother.)

Tacoma Wayzgoose photo by Chandler O'Leary

Share it!

Printing at Penland

Blue Ridge Parkway photo by Chandler O'Leary

When Jessica and I were in North Carolina last summer, we had just enough sightseeing time to squeeze in a short trip along the aptly-named Blue Ridge Parkway.

Blue Ridge Parkway photo by Chandler O'Leary

Between the dappled sunlight,

Blue Ridge Parkway photo by Chandler O'Leary

the lush Southern greenery,

Blue Ridge Parkway photo by Chandler O'Leary

and the unexpected splashes of color,

Blue Ridge Parkway photo by Chandler O'Leary

we were enchanted in an instant.

(I, for one, was tempted to do a little Katniss Everdeen impression—just run away from it all and head for the hills.)

Blue Ridge Parkway photo by Chandler O'Leary

It wasn’t hard to imagine sitting down and breaking out the paper and paints, with all that blue haze as inspiration.

Penland School of Crafts photo by Chandler O'Leary

The folks at the nearby Penland School of Craft certainly agree. Since Lucy Morgan founded it in 1929, Penland has become a national center for craft education. Widely respected for its preservation of handcraft traditions, Penland is centered on total-immersion study and both traditional and experimental techniques. Settled in a quiet pocket of the Blue Ridge Mountains, it’s an inspiring setting for focused work. Thanks to its reputation and location, the school attracts some of the country’s best artists and fine craftspeople to study and teach in the Penland studios.

So you can imagine how thrilled and honored Jessica and I were when they asked us to come and teach a letterpress workshop there this summer.

We’ll be teaching a one-week printing intensive, and doing our very best to turn the printshop upside down. This ain’t your grandpa’s letterpress. Here are the details:

Letterpress: Old Dog, New Tricks

A printmaking intensive with Chandler O’Leary and Jessica Spring
Penland School of Crafts, Penland, NC

Summer Session 7: Aug. 26 to Sept. 1, 2012 

Typesetting photo by Chandler O'Leary

In the class, we’ll work with both hand-set type (don’t worry, we won’t monkey with any linotype machines…) and photopolymer plates to produce editioned prints that combine the two techniques.

Process photo of "Tugboat Thea" letterpress broadside by Chandler O'Leary and Jessica Spring

We’re going to get pretty technical, pretty fast, but don’t worry—the workshop is open to all levels of experience. That way we can bring letterpress newbies up to speed quickly, and give more experienced printers the chance to go nuts and geek out with us.

Detail of "Unnatural Light" letterpress print by Jessica Spring

“Unnatural Light” by Jessica Spring

You’ll be doing some death-defying typesetting by hand, using Jessica’s acrobatic techniques,

Detail of "On a Mission" letterpress broadside by Chandler O'Leary and Jessica Spring

On a Mission Dead Feminist print

and I’ll teach you the ropes of designing for photopolymer, so you can throw a three-ring hand-drawn circus into the mix.

Blue Ridge Parkway photo by Chandler O'Leary

So get thee to the mountains and join us! Registration is open now, but don’t wait too long—the class is capped at 12 students.

See you in North Carolina! Save me some grits, will you?

Share it!

Printer’s devilry

Last Sunday, to raise funds for the upcoming Wayzgoose, we had a little “Wayz & Means” film festival celebrating all things letterpress. Even though the show’s over, the main event of Wayzgoose itself is still on deck. So as a little warm-up to get you in the printing mood, I thought I’d share a couple of the films we featured.

First up is an animated short I first saw over a year ago, at the Codex Bookfair in California. I’m pleased to announce that Old Time Film, by Barbara Tetenbaum and Marilyn Zornado, is finally viewable online! So let’s get this party started:

Oh, man. I love that. If you want your very own copy of the film (trust me, you do—there’s a little making-of featurette on the DVD), you can purchase it here. No, Barb and Marilyn aren’t paying me to hawk their movie—I’m just a believer, that’s all.

Burgess Meredith in the Twilight Zone episode "Printer's Devil"

I’ll leave you with one of my very favorite episodes of The Twilight Zone, circa 1963, where a gleefully terrifying Burgess Meredith gets a newspaper job as the world’s fastest linotype caster. There’s a catch, though: Mr. Smith has a secret. To get in on it, you need to understand the little letterpress inside joke behind the episode’s title.

You see, a typesetter’s inky hands (and quite possibly the inflammatory writ published by the early masters) earned printing the moniker “the Black Art.” So there are all sorts of clever nicknames to go with that title. For instance, a letterpress apprentice was called a “printer’s devil,” and old, broken type gets thrown in the “hell box” to await being melted down. The list goes on.

Get it yet?

Burgess Meredith in the Twilight Zone episode "Printer's Devil"

Well, watch and you’ll see what I mean. (Gaah! That face.)

Da, da, daaaaaa!

Join us on April 22 for the Wayzgoose, and get in on the devilish fun.

Eighth Annual Wayzgoose
Sunday, April 22 • 11 am to 4 pm • Free!
King’s Books • 218 St. Helens Ave. • Tacoma, WA

In the meantime, I’m going to practice lighting cigars with my index finger.