Blog
April 23rd, 2012
Oh, man. I’m beat. You people plum wore me out this time. Every year I keep thinking we can’t possibly top the previous one, but Wayzgoose just keeps getting better and better. And this year, the weather was so unbelievably good* that I think half of Tacoma (plus a good portion of Seattle and a smattering of Portland) put on their walking shoes and marched into our midst.
*See all those pairs of sunglasses? That straw hat? You don’t see those much ’round these parts. We’re the pasty-rainy vampire people, remember? Sunshine in April = naw, son, you must be dreaming.
To put it another way: it was absolute crazy sauce.
Or maybe it was just that the word is fully out now about our little printers’ party. After all, the Weekly Volcano said last week, “There are otherwise button-down, Wonder-bread, vanilla South Sounders who lose their ever-lovin’ shizz over Wayzgoose.” Amen, bros.
Big thanks to everyone who showed up to the party (even if I didn’t get a chance to thank you in person); to the Tacoma Arts Commission for being our fairy godparents; to the small army of adorable volunteers who kept everything chuggin’ along; to Rosemary Ponnekanti at the News Tribune for the write-up; to Kyle Durrie for making an appearance in her travelin’ Type Truck; and to sweet pea Flaherty and Jessica Spring for making it all happen.
Speaking of Jessica, I think I laid eyes on her all of twice, all day. She was scurrying around and herding cats outside, while I was camped behind a steady stream of folks at our adjacent tables (thanks, y’all!). There wasn’t even room to sneak a hip shot of how many people were shoehorned in there, so the only photos I could snag were right at the beginning before folks showed up, or at the end, when people finally started to clear out.
I know this doesn’t look like a big crowd, but trust me—it was a total sardine can in there. (Or clown car, if you prefer circus metaphors. I know I do.) But when the room is packed with all your favorite Northwesterners, it’s a win-win.
Among the talented regulars was my lovely friend Keegan (and of course, Atticus, who frequently thinks he’s a pirate parrot. Yarr!).
There was also a very special newcomer this year. My former student Sara caught the letterpress bug, and caught it bad. In less than three years since she took my class, she and her husband Brad (pictured) have gone from newbie nestlings to fully-fledged, successful business owners. Sigh. My kids are all grown up and making a hand-printed ruckus! It does my heart good.
Outside, the steamroller prints were better than ever. (Special shout-out to Audra Laymon for her goatey Blueberry Park print! I think a hundred people heard me squeal when I saw it.)
Jessica and I decided to sit out the steamroller this year to make room for a few new folks, and that turned out to be a smart move. Just standing at my table for six+ hours hobbled me like an arthritic old woman—I don’t think my knee would have been up to printing. My only regret was not being able to witness much of the spectacle this year.
I did sneak outside long enough to learn that Tacoma’s own Arts Commissioners had been pressed into service (heckuva job, Scott!)—
and that the print quality was the tastiest it’s ever been, thanks to some tweaked techniques Jessica gleaned from our day in San Francisco last fall.
Attendance reached a new record this year—I think we’re an official Tacoma institution now. Mr. sweet pea says the count of men, women, children, babies and beasties approached the 1,000 mark!
(R.J. says: Word to your mother.)
April 9th, 2012
When Jessica and I were in North Carolina last summer, we had just enough sightseeing time to squeeze in a short trip along the aptly-named Blue Ridge Parkway.
Between the dappled sunlight,
the lush Southern greenery,
and the unexpected splashes of color,
we were enchanted in an instant.
(I, for one, was tempted to do a little Katniss Everdeen impression—just run away from it all and head for the hills.)
It wasn’t hard to imagine sitting down and breaking out the paper and paints, with all that blue haze as inspiration.
The folks at the nearby Penland School of Craft certainly agree. Since Lucy Morgan founded it in 1929, Penland has become a national center for craft education. Widely respected for its preservation of handcraft traditions, Penland is centered on total-immersion study and both traditional and experimental techniques. Settled in a quiet pocket of the Blue Ridge Mountains, it’s an inspiring setting for focused work. Thanks to its reputation and location, the school attracts some of the country’s best artists and fine craftspeople to study and teach in the Penland studios.
So you can imagine how thrilled and honored Jessica and I were when they asked us to come and teach a letterpress workshop there this summer.
We’ll be teaching a one-week printing intensive, and doing our very best to turn the printshop upside down. This ain’t your grandpa’s letterpress. Here are the details:
Letterpress: Old Dog, New Tricks
A printmaking intensive with Chandler O’Leary and Jessica Spring
Penland School of Crafts, Penland, NC
Summer Session 7: Aug. 26 to Sept. 1, 2012
In the class, we’ll work with both hand-set type (don’t worry, we won’t monkey with any linotype machines…) and photopolymer plates to produce editioned prints that combine the two techniques.
We’re going to get pretty technical, pretty fast, but don’t worry—the workshop is open to all levels of experience. That way we can bring letterpress newbies up to speed quickly, and give more experienced printers the chance to go nuts and geek out with us.
“Unnatural Light” by Jessica Spring
You’ll be doing some death-defying typesetting by hand, using Jessica’s acrobatic techniques,
On a Mission Dead Feminist print
and I’ll teach you the ropes of designing for photopolymer, so you can throw a three-ring hand-drawn circus into the mix.
So get thee to the mountains and join us! Registration is open now, but don’t wait too long—the class is capped at 12 students.
See you in North Carolina! Save me some grits, will you?
April 6th, 2012
Last Sunday, to raise funds for the upcoming Wayzgoose, we had a little “Wayz & Means” film festival celebrating all things letterpress. Even though the show’s over, the main event of Wayzgoose itself is still on deck. So as a little warm-up to get you in the printing mood, I thought I’d share a couple of the films we featured.
First up is an animated short I first saw over a year ago, at the Codex Bookfair in California. I’m pleased to announce that Old Time Film, by Barbara Tetenbaum and Marilyn Zornado, is finally viewable online! So let’s get this party started:
Oh, man. I love that. If you want your very own copy of the film (trust me, you do—there’s a little making-of featurette on the DVD), you can purchase it here. No, Barb and Marilyn aren’t paying me to hawk their movie—I’m just a believer, that’s all.
I’ll leave you with one of my very favorite episodes of The Twilight Zone, circa 1963, where a gleefully terrifying Burgess Meredith gets a newspaper job as the world’s fastest linotype caster. There’s a catch, though: Mr. Smith has a secret. To get in on it, you need to understand the little letterpress inside joke behind the episode’s title.
You see, a typesetter’s inky hands (and quite possibly the inflammatory writ published by the early masters) earned printing the moniker “the Black Art.” So there are all sorts of clever nicknames to go with that title. For instance, a letterpress apprentice was called a “printer’s devil,” and old, broken type gets thrown in the “hell box” to await being melted down. The list goes on.
Get it yet?
Well, watch and you’ll see what I mean. (Gaah! That face.)
Da, da, daaaaaa!
Join us on April 22 for the Wayzgoose, and get in on the devilish fun.
Eighth Annual Wayzgoose
Sunday, April 22 • 11 am to 4 pm • Free!
King’s Books • 218 St. Helens Ave. • Tacoma, WA
In the meantime, I’m going to practice lighting cigars with my index finger.
February 28th, 2012
Seeing our stuff for sale at my all-time favorite bookstore makes me happier than I could ever see. If you’re in Portland, or you’re going to be, you can now find Dead Feminists postcards, Lemonade Journals and mini-prints at Powell’s City of Books! Last time I was there I found them in the Red Room.
Rumor has it they’re also in the Orange Room, but Powell’s is crazy-huge and charmingly labyrinthine, so I never did come across them there. Never fear, though: the myriad Info Desk staff are smart and lovely. They’ll point you in the right direction.
P.S. How cool is the description on that sign? I love these people.
December 25th, 2011
I love it when a journey is required to bring Christmas home.
Hoping yours is holly-jolly, merry and bright.
November 27th, 2011
Hot off the press and just in time for this year’s holiday season, I’m proud to present a mini flock of letterpress bird ornaments!
Just like the larger prints in my Flock series, each one of these is printed from a hand-carved linoleum block.
Then each was individually hand-painted with watercolor (which, I’m not afraid to tell you, is painstaking in the extreme!),
and then hand-cut, hand-assembled, and signed/dated.
There are six songbirds in the set—a northern cardinal,
a black-capped chickadee (you might recognize him from our Thanksgiving table!),
a chipping sparrow,
a common yellowthroat,
a dark-eyed junco,
and a mountain bluebird.
Here’s the catch: they are extremely limited-edition. I only printed 100 sets, so once they’re gone, they’re gone. So flap on over to the shop and pick up your set before they fly away for good.
Now if you’ll excuse me, I’m off to deck some halls!
November 15th, 2011
It’s hard to ignore the news of protests, ahem, occupying the attention of cities around the world—of the many and diverse thousands of people unified under one simple, yet infinitely faceted mantra. As members of the, well, vast majority of folks without any real political or financial clout in the world, Jessica and I can get behind their message—but that’s not so much the point. What really amazes us is that with a little tenacity and strength in numbers, the powerless can suddenly become very powerful, indeed.
It made us think of a woman who, despite having a famous sibling, would have disappeared into obscurity but for the simple act of picking up a pen.
My power was allways small tho my will is good. —Jane Mecom
Jane’s eminent brother, on the other hand, had a little more faith:
Energy and persistence conquer all things. —Benjamin Franklin
Jane had both energy and persistence in spades—although we marvel at how she managed it, with twelve kids, a family business and a house perpetually full of boarders to occupy her attention. Yet of Benjamin’s sixteen siblings, Jane is the only one whose story has survived the 200+ years since her death—and all because she committed her thoughts to paper. So in honor of Ben and Jane’s relationship, and in solidarity with those who find the strength to speak up, we present our first dual Dead Feminist broadside, Signed, Sealed, Soapbox.
Since this is also our first print that features a cameo from a male Dead Feminist (nope, you don’t have to be female to be a feminist), we thought it deserved a little something extra. So we set it up like a conversation—or in this case, a written correspondence. Besides, there was just so much historical ground to cover—even condensing the information to a blog post is a challenge, let alone plucking two sentences from a lifetime of dialogue. (If you haven’t already guessed, this post is a long one. Grab a cuppa if you dare to settle in!)
What first sent us down the Jane Mecom rabbit hole was an article about her in the New York Times, written by Jill Lepore. Lepore’s words sent me searching for more information, and I found it buried in the stacks of my local public library. I uncovered an obscure tome: The Letters of Benjamin Franklin and Jane Mecom, by Carl van Doren. The book chronicles their entire surviving correspondence—98 letters in all, printed in full. I was a little worried that the writing style of the day would make even skimming for quotes a chore—but in truth, I couldn’t put it down. It was like peering into the lives of any two ordinary people who happened to care for each other very much. There’s humor, and worried advice, and gossip, and gentle sarcasm, and the occasional scolding (usually on Jane’s part) when one or the other let too much time pass between letters. Most of all, there’s love—it’s there on every page. After all of that, we couldn’t just limit the broadside to a couple of one-liners. So the quotes are accompanied by excerpts from their actual letters, each calligraphed as closely as possible to Ben and Jane’s actual handwriting. Even the spelling errors and colonial-era grammar are intact; we figured it was better not to mess with history.
Jane’s excerpted letter:
I have wrote & spelt this very badly but as it is to Won who I am sure will make all Reasonable allowances for me and will not let any won Els see it I shall venter to send it & subscrib my Self yr Ever affectionat Sister, Jane Mecom.
Ben’s reply:
Is there not a little Affectation in your Apology for the Incorrectness of your Writing? Perhaps it is rather fishing for Commendation. You write better, in my Opinion, than most American Women. Believe me ever Your loving Brother, B. Franklin.
There are few Founding Fathers more famous than Ben Franklin, but Jane was somewhat of a mystery. What we do know is that she had a very different life than her illustrious brother. Thanks to the simple fact of having been born female, her youth was spent having babies rather than obtaining an education. Her life was marked with misfortune, poverty and the deaths of nearly everyone she loved. Yet through it all she craved knowledge, and read everything she could get her hands on. She was a skilled craftsperson, making the famed Franklin Crown Soap and teaching the trade to others. And she followed her brother’s career with pride—and he supported her in return, both financially and emotionally.
The Tailor and I spent time in both Boston and Philadelphia this summer—ye olde stomping grounds for Doctor Franklin. I had the library book of letters with me on the trip, so their words lent an interesting depth to our wanderings.
Boston is one of my hometowns, so it was there that I did the most digging. And it turned out that digging was necessary. Ben’s presence is everywhere in Philly, but in Boston, with so many Revolutionary War heroes to honor there, the Franklin family’s presence is far more subtle. And Jane? Well, she’s almost nowhere to be found.
Almost.
This plaque is all that’s left of the house where Jane spent all her life. It was knocked down to make room for a memorial to Paul Revere. The plaque does mention her briefly, but not by name. Another hazard of being female in the eighteenth century, I suppose.
But Jane lived through the Revolutionary war—in fact, as a resident of the North End, her home was right in the thick of it. In 1775 she fled the British-occupied city and took refuge with friends near Providence, Rhode Island. There, Ben came to rescue her. He took her to Philadelphia, where she spent a year with him before returning to a liberated Boston. While that year was full of turmoil and uncertainty for the citizens of the new United States, 1776 was quite possibly the best year of Jane’s life. For the first time in ages, she could bask in her beloved brother’s company—and he made time for her despite being busy with other things (you know, like founding our country)—and as the honored guest she was largely free from work and family duty.
As far as I can tell, it was also the last time she ever laid eyes on him. Visiting at all was a rare treat—between Ben’s high-profile career and the then-formidable distance between Boston and Philadelphia, it was impossible for them to visit one another more than a handful of times in their entire lives. And since it would have taken weeks for a letter to cross five colonies, and months to traverse the ocean to reach Ben in France, it’s a wonder they remained as close as they did all their lives. Lends a whole new meaning to “snail mail,” doesn’t it?
Signed, Sealed, Soapbox is illustrated with the sweeping curves of ornate penmanship and the detailed linework of colonial engravings. A faux-bois forest of branches and flowers resembles the printed toile fabrics of the day. The swoops and swirls of the calligraphy rest in stately Wedgwood blue (complimented by a telltale vase at the bottom!), while Ben and Jane’s correspondence occupies a buttery yellow letter edged like a vintage postage stamp.
And though there is no surviving likeness of Jane Mecom, she deserves so much more than the portrait of a Jane Doe. Instead, she is made in the image of The Comtesse d’Haussonville by French painter Jean-Auguste-Dominique Ingres.
Ben was the best big brother Jane could have asked for. So in honor of his positive influence, we’ll be donating a portion of our proceeds to the Puget Sound chapter of Big Brothers, Big Sisters—an organization dedicated to providing children facing adversity with mentor relationships that change their lives for the better, forever.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Signed, Sealed, Soapbox: No. 14 in the Dead Feminists series
Edition size: 176
Poster size: 10 x 18 inches
Printed on an antique Vandercook Universal One press, on archival, 100% rag (cotton) paper. Each piece is numbered and signed by both artists.
Colophon reads:
Jane (Franklin) Mecom (1712 – 1794) was born in Boston’s North End, the youngest daughter of a soap maker. Married at fifteen, she had no formal education but was a voracious reader of books supplied by her brother. She ran a boarding house and made soap to support her ailing husband, her elderly parents and her twelve children. She outlived all but one of them. Her “Book of Ages” chronicles the deaths of these loved ones, but what little we know of Jane herself can be traced to a lifetime of correspondence with her beloved brother.
Benjamin Franklin (1706 – 1790) attended school for just two years before becoming a printer’s apprentice at age twelve, but was eventually awarded honorary degrees from Harvard, Yale and Oxford. He founded the first lending library in America, reformed the colonial postal system and became the first U.S. Postmaster General. He espoused the values of thrift, hard work, education, community spirit and tolerance, and opposed authoritarianism in both religion and politics.
Despite the differences in their education and circumstances, Benjamin largely treated his sister as an equal, and penned more letters to her than any other person in his life. He sent his writings and political essays to get Jane’s opinion, and notable figures of the day visited her to pay their respects out of deference to the famous Franklin. Benjamin provided decades of financial support for Jane and her children, and upon his death bequeathed her a comfortable living — as well as public trusts to the cities of Boston and Philadelphia to fund mortgages, school scholarships and eventually establish the Franklin Institute of Technology.
Illustrated by Chandler O’Leary and printed by Jessica Spring, 100% occupied with Benjamin’s wise words — and deeds — as he signed the Declaration of Independence: “Yes, we must, indeed, all hang together, or most assuredly we shall all hang separately.”
Available now in our new Dead Feminists shop!
November 7th, 2011
Every three months my all-time favorite magazine, Uppercase, arrives in my mailbox, and productivity in the studio comes to a screeching halt while I drool over each gorgeous page. I’ve been a subscriber since almost the very beginning (if only I could get my paws on those first two sold-out issues!), and impossibly, every new issue is even lovelier than the one before.
So you can imagine my giddy delight to be included in the latest installment. They had a submissions call for a feature on “labor-intensive illustration,” which was so squarely up my alley that I had to laugh at myself. But I never imagined my little birds would actually be accepted—let alone given a full page. A letterpress colleague received her copy a day or two ahead of me and tipped me off, and I swear I did a little dance around the room.
UPPERCASE is the brainchild of a gallery by the same name in Calgary, Alberta. The magazine is tailor-made for anyone with a creative soul; every page is devoted to sharing visual inspiration, shedding light on obscure or vintage art and design work, and detailing the work lives and creative spaces of people who do what they love for a living.
The whole thing is a perfect mix of vintage nostalgia and cutting-edge design, all wrapped up in a sumptuously printed package. If only everything in the world had this much thought and craft behind it.
But my favorite—I mean, favourite—parts of the magazine are the recurring features. There’s an abecedary in every issue, each with a different theme (which does my bookish heart good), as well as a series of collections of vintage objects: bottle caps, cereal boxes, even alarm clocks and fishing lures.
This magazine is truly a thing of beauty, and I hope it’s around for me to keep my subscription going for many years—and issues—to come.
October 30th, 2011
Who is this, I wonder?
You should see the piles of things, er, occupying (hint!) my drafting table this month. You see, Art at Work month is almost here, and I’m scrambling to get ready for all the events coming down the pike.
First up is Studio Tour, that crazy-amazing weekend where it seems like half of Tacoma (the entirely wonderful half, as it turns out) stops by for a visit. This is my third time on the circuit, but our fair city is celebrating its tenth fabulous year of shop crawls and arts extravaganzas. So stop on by next weekend—you can print your own letterpress keepsake (trust me, they’re über cool this year!), pick up free Tacoma swag (better get here early, because it’ll disappear fast), shop for a whole bunch of brand new art and handmade items, and be the first to catch our brand new Dead Feminist, a mystery maiden indeed.
10th Annual Tacoma Studio Tour
Saturday and Sunday, November 5 and 6
10 am to 4 pm, Free!
For more info, full artist list, maps and directions, see here
Look! New stuff!
If you can’t make it to Studio Tour, you can catch a whole bunch of Tacoma artists at the annual Tacoma is for Lovers Craft Fair, put together by the lovely folks at Indie Tacoma and Tacoma is for Lovers. Jessica and I will be sharing a table both days, and it’ll stuffed to the brim with bunly goodness illustrated and letterpress goodies.
Tacoma is for Lovers Craft Fair
Saturday and Sunday, November 19 and 20
11 am to 4 pm, Free!
King’s Books
218 St. Helens Ave., Tacoma
Last but not least, a gigantic virtual heart-shaped thank you to everyone who made a pledge to fund the Apocalypse Calendar! The project is officially a “go,” and we’ll be on press in November. We’re expecting to ship calendars and Kickstarter rewards in early December, and you’ll find calendars in various retail shops this holiday season. If you missed the Kickstarter project, you’ll be able to place online orders here, starting later this week.
Happy Halloween, and see you in November!
October 5th, 2011
Just wanted to give you a peek at what the studio looks like these days. I try not to think about it too hard, because I officially unveiled the thing almost a year ago, but I’m still working on my book.
Big dang pile of box parts; coffee cup for scale.
You see, it’s one thing to get the prototype done for the exhibition, but when you’re making an edition of books, that means you have to finish all the rest of the copies, too.
Obviously, I have my work cut out for me.