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On Saturday morning the weather was so perfect that I headed down to the waterfront for a little sketching—not to mention a little quality time with one of my Droplets!
I guess you could count this as working over a holiday, but it sure doesn’t feel like that. To me, it feels like the best way to enjoy a summer day.
At long last, Tacoma has a real ice cream parlor—I can’t tell you how many years we’ve waited for this. Today I stood in line for the best coffee ice cream I’ve had in years, and while I waited my turn to pay, I noticed something familiar behind the counter!
It was our Just Desserts postcard! Jessica and I couldn’t be more proud. So to the new shop, Ice Cream Social: welcome to Tacoma, and thank you for making us a part of the decor!
One exhibit might be ending this week, but another is just getting started. On Tuesday night I went to the opening for Ink This!, a new exhibit of contemporary Northwest print arts at the Tacoma Art Museum.
The place was completely packed—both in the lecture space and in the common areas.
I spent so much time catching up with friends and colleagues from all over the region (which is the best part about this show!) that I barely made it upstairs to see the artwork itself.
And then when I got there, I had a pleasant surprise: my piece in the show is prominently displayed, right by the entrance.
It’s such an honor to have my book in a room with so many incredible prints, sculptures, artist books and other work by the people I admire the most.
Most of all, I can’t tell you how gratifying it was to see so many people come up and spend time with my book. That’s the highest compliment anyone could ever pay me.
Many, many thanks to the Tacoma Art Museum for putting this show together; to Margaret Bullock for her amazing work curating the exhibit; to Ann and Peter Darling who lent the book from their private collection for the exhibit; to everyone who has seen the show so far; to the artists themselves; and to the lovely man monitoring the gallery that night, who so kindly gave me permission to take some hip shots with my phone camera. (I couldn’t hide how excited I was to have my work in a museum for the first time—thanks for not laughing at my dorkiness!)
Ink This! will be on display through November 9 October 19 (update: show is closing early to accommodate the opening of a new museum wing), at the Tacoma Art Museum, 1701 Pacific Avenue in downtown Tacoma.
If you’re local, this is the last week to catch my You’ll Like Tacoma Show on display. So head on downtown to Brooks Dental before the lights turn out!
I just love how evening light filters into the studio at this time of year. Happy solstice!
I stopped by the Collins Memorial Library this week to see the new Puget Sound Book Artists exhibition, and look what’s in the show! If you haven’t had a chance to see my Mnemonic Sampler abecedary in person yet, the PSBA folks have it beautifully displayed in one of the wall cases. (The display is definitely better than my low-light cell phone photo of it…sigh.)
And they were even kind enough to include a snippet of it in the exhibition poster—can you spot it?
Catch the show now through July 31!
This is my friend Carl.
He’s a wood engraver extraordinaire—
—and his West Seattle letterpress studio is a thing of beauty.
He does lovely, painstaking work (those are his engravings on the wall there), and he runs a tight ship at that studio of his.
Which is why my friend Mary-Alice called on Carl when she picked up a vintage Adana flatbed press, and wanted help whipping it into shape. She and her husband were planning to bring the press to West Seattle yesterday. I’d never seen an Adana in action before (I’m more of a Vandercook gal myself), so I asked to tag along.
Carl was more than ready for us.
He gave the press a quick once-over. “I think you’re getting off too easy, Mary-Alice,” he said. “There aren’t even any spiders under here!”
A few drops of oil,
some careful adjustments,
one of Carl’s own engravings to use as a test,
and a little text M-A set from his massive collection of type—and all of a sudden the Adana was print-ready.
Carl even broke out the fancy handmade paper—”This is an important occasion!” he said.
Pretty darn good results, if you ask me. Carl made us all sign the finished broadside. (Mariners pencil for the win!)
“How come I get to sign?” I asked, confused.
Carl chuckled and said, “You documented the occasion. Sign it!”
Aye, aye, Captain!
This week I added a new stockist to my list when I dropped off a pile of cards at Tacoma’s newest shop, The Nearsighted Narwhal.
The shop fills a specific niche that book artists will love: the art of self-publishing. The store is chock-a-block with zines, comics, self-published and small-press publications, and artwork by a whole array of independent artists.
It’s the sort of place you might normally have to travel to Portland, or San Francisco, or Brooklyn to find. But I can tell you that from the perspective of someone who’s been self-publishing for over a decade, the Nearsighted Narwhal going to be a very welcome resource. I can’t wait to dive in and start reading!
I know I should be in the studio right now, but the first strawberries of the year deserve something like a holiday.
We’ve had a string of unseasonably sunny days lately—so rather than stay cooped up inside the studio, I headed down to Portland to do a little drawing. Just east of town is the stunning Historic Columbia River Highway, which serves up vista after vista of the Columbia River Gorge. All I had to do was sit back, open up the sketchbook, and enjoy the view.